Yesterday I received a book, with a note inside: "there are various references to Nabokov in it." It's a 2010 Brazilian edition (Ed.Nova Fronteira) of Christopher Hitchens' Memoirs, "Hitch-22." There were six entries in the Index under "Nabokov,Vladimir."

 

The first reference (p.219) shows him in the early seventies, being impressed by the literary opinions of Martin Amis who advised him to "search for writers that stood amid(st) the two literary giants, Charles Dickens and Vladimir Nabokov"("procurar algo entre os gigantes Dickens e Nabokov"). He returns to VN and Dickens (p.225), being recited to him by Martin, who dwelt in "the drop in Bleak House; and offered a frightening rendering of the last verbal duel between Humbert Humbert and Quilty." 

 

More than a hundred pages later, Hitchens gets to his own reading of Nabokov while presenting Paul Valéry's and Salman Rushdie's theories relating literature and music. After he conjectured if a particular musical ability is necessarily present  in any great artist, he came across "an obstacle that was the size of an iceberg. Vladimir Nabokov, a man that was capable, more than anybody else, to make someone feel inhibited by his sharing the same language  with him (and English was only his third option), loathed music." Hitchens then proceeds to his reading of Nabokov's short-story "Music.," before he mentions a case, kept in the NYPB ("Nabokov under Glass"...btw:Would this also be related in anyway to a  Snow-White legend, like Carolyn's magical butterfly?) - in which he finds that VN  had attempted a special kind of notation to place above his holographs. He asks: "wouldn't that be some sort of musicality"?  On p.501, Hitchens returns to another short-story by Nabokov, in connection to the WWII genocide of Jews, gipsies, homosexuals: "Signs and Symbols." and quotes a paragraph about Aunt Rosa...

 

The last entry mentions Bend Sinister and  the Toad, but I didn't find his reading very satisfactory (so I prefer not to translate it here because I might distort it even more) and in contrast to E.Wilson's very pertinent commentary in one of his letters to Nabokov..  

 

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