DeQuincey's Confessions: The reader may choose to think of him as possibly no more than a sublunary druggist; it may be so, but my faith is better: I believe him to have evanesced, or evaporated. So unwillingly would I connect any mortal remembrances with that hour, and place, and creature, that first brought me acquainted with the celestial drug.
DeQuincey's note: Evanesced. - this way of going off the stage of life appears to have been well known in the 17th century, but at that time to have been considered a peculiar privilege of blood-royal, and by no means to be allowed to druggists. For about the year 1686, a poet of rather ominous name (and who, by the bye, did ample justice to his name), viz., Mr. Flat-man, in speaking of the death of Charles II expresses his surprise that any prince should commit so absurd an act as dying; because, says he,
"Kings should disdain to die, and only disappear."
They should abscond, that is, into the other world.
**Barry Milligan's note: Misquoted from 'On the Much Lamented Death of Our Late Sovereign Lord King Charles II, of Blessed Memory, a Pindaresque Ode' by Thomas Flatman (1637-88), 21-5: "But Princes (like the wondrous Enoch) should be free/From Death's Unbounded Tyranny,/And when their Godlike Race is run,/And nothing glorious left undone,/Never submit to Fate, but only disappear."
Chateaubriand's René: One day, as I was walking in a large city, I passed through a secluded and deserted courtyard behind a palace. There I noticed a statue pointing to a spot made famous by a certain sacrifice. I was struck by the stillness of the surroundings; only the wind moaned weakly around the tragic marble. Workmen were lying about indifferently at the foot of the statue or whistled as they hewed out stones. I asked them what the monument meant; some knew little indeed, while the others were totally oblivious of the catastrophe it commemorated. Nothing could indicate so vividly the true import of human events and the vanity of our existence. What has become of those figures whose fame was so widespread? Time has taken a step and the face of the earth has been made over.
Chateaubriand's note: At London, behind Whitehall, the statue of Charles
II.
Irving Putter's note: He was apparently deeply affected by this
statue, and has written about it elsewhere, adding that Charles II is pointing
to the spot where his father Charles I was executed. In reality, it was a bronze
statue of James II, the brother of Charles II.
My note: Restoration comedy, to be sure. But has this underlying
typo-graphy been properly investigated? Is something being driven home? Should I
take a hint?