In "Pale Fire", the "stilettos of a frozen
stillicide" become, in Kinbote's delusional dictionary, "a succession of
drops falling from the eaves, eavesdrop, cavesdrop". Cavedrops, as we know, refer to stallactites that grow in the
oposite direction from stallagmites inside a cave. Their shape is
similar to the "stillicides" - and Kinbote, a few lines later,
mentions that he "lives like Timon is his cave", from where he gives
shape to the regicidal plot with Russian spies and also remembers about how
he "spied" on Shade. We also know that the "eaves/cavesdrop" impulse
arises only under the strokes of Kinbote's own stilleto (his pen).
Stallactites and stallagmites sometimes meet
inside a cave, either like an hallucinatory CK and mad JS to
become as one, or as most Nabokovian images meet, by the association
of various distinct oppositions and pairings ( stallactite/stallagmite
and stillicide/stallactite). The "snooping"
process related to "eavesdropping" reappears in "Ada" where there are
at least two references to "leavesdropping" ( one of them associated with
Lucette and her green eyes always ready to spy on Van and Ada, the other arises
in a poem translated by Ada, if I remember it right).
I suggest we consider JS and CK as
belonging to the same abstract structure dealing with reversions
and inversions, and not like a kind of Stan Laurel and Oliver Hardy,
Quixote and Sancho, Sherlock and Watson pair of contrasts.
Jansy