Like Einstein his temperament and circumstances made him run the gauntlet of early professional woes (and indeed like Einstein, his early failures led him to work in a Patent Office). But his touch for Latin nuance is generally ranked of the highest in the annals of classical scholarship. Though I too admire his poetry, his palmary distinction lies in his uncanny, praeternatural sensitivity to textual error, to the proper fingerprint of an author's style smudged almost beyond recognition and retrieval by centuries of fumbled handling. Had he devolved that intensity of verbal focus on his poetry, he may have ranked among the major poets. He didn't, unfortunately, but we now read Propertius and many other poets with clearer penetration because he transformed his creative gift into a dazzling philological acumen for the mot juste in classical poetry.
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