In my opinion
"allusions" do not determine the structure of a plot nor do
they become an
integral part of the novel in which they occur. It is my
impression that our
artist's choice of tropes ( and pastiche, allegory,
allusion, indication,
reference...) in the process of building his novel
are, as concepts,
often mentioned here in a rather hazy manner. It is as if
they had become
divided and as interchangeable as what happens with all
those personalities
that apparently branch out from the same physical body.
One life,—a little gleam of time between two Eternities. (Heroes and Hero-Worship. The Hero as a Man of Letters.)
Merely the Anglo-Saxon sparrow, between the two dark ends of the
mead-hall, re-phrased. Plagiarism.
Charles wrote: My unironic belief is that there is much more than a hint of Wordsworth in Shade's poem."There was a time when meadow, grove and hill" comes from Intimations of Immortality (which, imho, is a great poem.).
This is obviously
poetry:
Hope is the thing with
feathers
that flutters round the
soul...
No.
He thought he saw an
albatross
That fluttered round
the lamp
No.
Worms play pinochle in
your snout
Brevity is the soul of wit. Nevertheless Oscar Williams' jeu d'esprit might be clarified by inserting an extra stanza between I. and II. As follows:
Thy eye I eyed
[Thanks Will --- sonnet 104. Incidentally, does the idea that "Will" was an Eizabethan euphemism for penis, as asserted by someone a few postings ago, have any solid foundation? I haven't checked Partridge, but it sheds new light on Schopenhauer.]
Friday worse, and Saturday dead.
Plagiarism. And, anyway, Solomon Grundy died on Sunday.
This is getting out of hand. Frost's brief spot, though excessively elliptical, worries the thing out instructively. Imho.
Charles