Matt 3: Shades lines
269-271:
Come and be worshiped, come and be
caressed,
My dark Vanessa, crimson-barred, my
blest...
JM: In Kinbote's note to line 270 he recognizes that "the 'Red Admirable' is one of the few butterflies I happen to be
familiar with" - and it answers in part one of the questions raised
by Matt ( Kinbote's lack of lepideropterical expertise).
In this same note CK
indicates lines 993-995 (where he refers the reader back to notes
to line 270)
In its last paragraph he observes that there is a
"whiff of Swift in some of my notes". Perhaps this
iteration derives from his description of "The Red Admirable
feasting on oozy plums and,m once, on a dead rabbit." ( I once read that butterflies are quite fond of dumps and rotten
carcasses...)
When the
butterfly appears (figured, caricatured) terms like "doom" and
"gradual" may appear, or some of the adventures of Gradus
are interspersed with other informations ( as mentioning that the
designation as Admirable was "degraded" to Admiral). Anyway, at
times Kinbote doesn't seem to be very appreciative of this
butterfly.
The
Index points to 270, 408,470,949,993. In note
408 ("a male hand") the Vanessa appears at the end of a long note
("a heraldic butterfly volant en arriere, sable, a
bend gules" ). Later, in Line 470 ("Negro"), a Vanessa
is an example of the lawful colors in "the
geranium bar of a scalloped wing" In Line 949 ("and all
the time") there's the tie Gradus is wearing ("imitation
silk, color chocolate brown, barred with red."). For line 993 ("A dark
Vanessa") Kinbote devotes himself to the Vanessa, as also Shade's
corresponding verses refer to it twice, and in the same manner,
as a "dark Vanessa." CK's other entry refers to verse
470 when "A jovial Negro raised his
trumpet.Trk."
With the exception of the "chocolate
brown" tie, all the other references return us to "dark" and
"negro." The upper side of a Red Admirable has a different coloring from
its ventral side. The red bar is seen on the upperside, the other side is
chocolate brown but has no heraldic red crossings. The "dark" dimension ( or
"negro" link) could be just an accidental clue. However, when Nabokov
mentions Brueghel's painting ( is it in "Ada"?), there is a comment
about a distortion due to the inversion of the upper and lower
sides of the insect, to bring out its aesthetic appeal instead of the truly
entomological depiction.