It seems to me that the painting is inspired by the description of the suburban map in Despair, chapter three:

Let us suppose I am holding that map before me; then the city of Berlin, which is outside the picture, maybe imagined somewhere in the vicinity of my left elbow.[...]the railway line, which, metaphysically at least, runs along my sleeve cuffward from Berlin. My wristwatch is the small town of Koenigsdorf,[...]where there is another circle (the lower button of my waistcoat): Eichenberg.[...]the main road, leaves it and continues nirth alone, straight to the village of Waldau (the nail of my left thumb). 

Best,

Hafid Bouazza

2011/4/2 Jansy <jansy@aetern.us>

Axel Roy (axeledelroy@gmail.com) in 30 Mar 2011 posted "quelques images de mon travail sur Nabokov."
 
JM:  I'd just confessed to my fascination with coincidences after posting a bit on painting, cartoons and Axel Rex. Now we're kindly invited to write a comment on the marvellous lines and colors blossoming into Nabokov's faces, one in particular with shadows, nerves and a suggestion of road-maps, by the artist Axel Roy. If I had any artistic talent and expertise, as many fellow Nab-List members possess, I'd write more expansively about Axel Roy's dramatic portraiture on Nabokov's face. I must limit myself to say that "Nabokov" with its almost devilish eyes and mysterious half-smile is the best depiction I've yet seen. 
 



 
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Search the archive Contact the Editors Visit "Nabokov Online Journal"
Visit Zembla View Nabokv-L Policies Manage subscription options

All private editorial communications, without exception, are read by both co-editors.