Andrea,
I have a poor quality video of the film you mention, Una jena in cassaforte. I brought a copy of this video to Dmitri, whom I had met briefly on three occasions, in 2004. He had apparently been trying to find such a copy for several years. We watched the film together, with Dmitri providing translation and commentary. He told me that he had rented a theater in Vevey to watch the film with his mother, James Mason, and Mason's companion Vivian di Crespi. Maybe his father was there too, but I don't remember. Great memory of a great visit. The night before my departure we watched an inspired performance of Die Walkure, but I couldn't finish the final act despite Dmitri's protestations. I had to pack at my hotel and return to Geneva for my plane flight home. I said we'd finish the opera next time I came. For numerous family reasons I never did come back, however; now it's too late and I couldn't be more devastated. He was the most gracious and solicitous host I'd ever known, so generous with his time and attention to a stranger like me, and I would give so much to see him and hear his voice again.
Terry Myers
-----Original Message-----
From: Andrea Pitzer <andrea.pitzer@GMAIL.COM>
To: NABOKV-L <NABOKV-L@LISTSERV.UCSB.EDU>
Sent: Thu, Feb 23, 2012 3:36 pm
Subject: Re: [NABOKV-L] Dmitri
Dear List,
For R.S. Gwynn and those interested in remembering Dmitri Nabokov in his entirety, there are audio clips on YouTube from a 1967 performance of Charles Gounod's "Romeo and Juliette" which reference Dmitri's role in the recording. I'm sure you could locate it from the information provided here:
And, as a bonus, here is a clip from a 1968 Italian heist flick. Dmitri appears to be one of the stars. There are some wonderful over-the-top closeups of him.
Andrea Pitzer
On Thu, Feb 23, 2012 at 4:29 PM, R S Gwynn
<Rsgwynn1@cs.com> wrote:
I had a couple of email exchanges with him several years ago involving the summer in California and the debate over TOOL. I frankly didn't explect him to answer either, but he did, promptly and with great courtesy.
I wonder if there are any recorded operas which capture his voice.
RSG
All private editorial communications are read by both co-editors.
All private editorial communications are read by both co-editors.