Moe Aboulkheir: "Sergey Botkin (or S.P. Botkin, son of
Eugene Botkin, another prominent Petersburg Professor) gave his name to
"Botkin's Disease", or viral hepatitis (due to his work on its transmissibility,
not because he died of that particular failure of the liver). His cause of
death is often given as "liver disease", or some combination of that and heart
disease; he may well have died of liver cancer, as above. A little
unfortunate, either way."
Jansy Mello: Thanks, Moe, for the information concerning
the two Botkin doctors, father and son. Do you know more about what
relation there is between Chekhov and S.P. Botkin?
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A. Sklyarenko explained that "Chekhov used to say that medicine was
his lawful wife and literature, his mistress.", i.e, he gave more
importance on his life as a doctor than as a poet, reminding us,
also, that Nabokov had Smurov die right at the start of "The Eye", in
opposition to what Chekhov's "stale" rule mainstains (a similar
procedure as the one adopted, in wry humor, by Machado de Assis,
in "The Posthumous Memoirs of Brás Cubas"*). However, Chekhov must
have valued human dignity above everything else**.
I wonder if the wordplay "Eye" and "I" is also present in the
Russian title?
Carolyn Kunin (off list) wrote: "Boyd gets ir tight, that the
Italians destroyed the monument, so why do Kinbote/Nabokov blame the Germans?"
and I thought that her query is worth mentioning here. Kinbote wasn't a
consistent liar so, perhaps, this argument isn't sufficient to explain the
historical inexactitude.
Kinbote's note to line 240: "Not many Englishmen walked there, anyway, though
I noticed quite a few just east of Mentone, on the quay where in honor of Queen
Victoria a bulky monument, with difficulty embraced by the breeze, had been
erected, but not yet unshrouded, to replace the one the Germans had taken away.
Rather pathetically, the eager horn of her pet monoceros protruded through the
shroud. "
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* Machado de Assis "I hesitated for a while about whether I
should start these memoirs from the beginning or from the end, if I should first
describe my birth or my demise (…)Properly speaking, I am not a deceased author
(…) my tomb was my second cradle. Moses, who also wrote about his death, did not
commence with it (…): a radical distinction between this book and the
Pentateuch."
**Here is what wiki offers concerning A.C's stay at
the Sakhalin Island (I went after this wiki summary after
having read Murakami's comments): "In 1890, Chekhov
undertook an arduous journey by train, horse-drawn carriage, and river steamer
to the far east of Russia and the katorga, or penal colony, on Sakhalin Island,
north of Japan, where he spent three months interviewing thousands of convicts
and settlers for a census. The letters Chekhov wrote during the two-and-a-half
month journey to Sakhalin are considered to be among his best[ ] Chekhov
witnessed much on Sakhalin that shocked and angered him, including floggings,
embezzlement of supplies, and forced prostitution of women. [ ] His
findings were published in 1893 and 1894 as Ostrov Sakhalin (The Island of
Sakhalin), a work of social science – not literature – worthy and informative
rather than brilliant. Chekhov found literary expression for the "Hell of
Sakhalin" in his long short story The Murder, the last section of which is set
on Sakhalin, where the murderer Yakov loads coal in the night, longing for
home."