In VN’s novel Pale Fire (1962) the poet Shade and his commentator Kinbote live in New Wye (a small University town). The Wye is a river in England and Wales. Lines Composed a Few Miles above Tintern Abbey, On Revisiting the Banks of the Wye during a Tour. July 13, 1798 is a poem by Wordsworth. In Canto One of his poem Shade mentions his frame house between Goldsworth and Wordsmith on its square of green:
I cannot understand why from the lake
I could make out our front porch when I'd take
Lake Road to school, whilst now, although no tree
Has intervened, I look but fail to see
Even the roof. Maybe some quirk in space
Has caused a fold or furrow to displace
The fragile vista, the frame house between
Goldsworth and Wordsmith on its square of green. (ll. 41-48)
In his Ode: Intimations of Immortality from Recollections of Early Childhood Wordsworth (a Lake poet) says:
The things which I have seen I now can see no more.
On the other hand, in Poem XIX of In Memoriam Tennyson mentions the babbling Wye:
The Danube to the Severn gave
The darken'd heart that beat no more;
They laid him by the pleasant shore,
And in the hearing of the wave.
There twice a day the Severn fills;
The salt sea-water passes by,
And hushes half the babbling Wye,
And makes a silence in the hills.
The Wye is hush'd nor moved along,
And hush'd my deepest grief of all,
When fill'd with tears that cannot fall,
I brim with sorrow drowning song.
The tide flows down, the wave again
Is vocal in its wooded walls;
My deeper anguish also falls,
And I can speak a little then.
In his Commentary Kinbote pairs Tennyson with Housman:
Alfred Housman (1859-1936), whose collection The Shropshire Lad vies with the In Memoriam of Alfred Tennyson (1809-1892) in representing, perhaps (no, delete this craven "perhaps"), the highest achievement of English poetry in a hundred years, says somewhere (in a foreword?) exactly the opposite: The bristling of thrilled little hairs obstructed his barbering, but since both Alfreds certainly used an Ordinary Razor, and John Shade an ancient Gillette, the discrepancy may have been due to the use of different instruments. (note to Line 920)
According to Kinbote, in a skit performed by a group of drama students he was pictured as a pompous woman hater with a German accent, constantly quoting Housman and nibbling raw carrots:
Oh, there were many such incidents. In a skit performed by a group of drama students I was pictured as a pompous woman hater with a German accent, constantly quoting Housman and nibbling raw carrots; and a week before Shade's death, a certain ferocious lady at whose club I had refused to speak on the subject of "The Hally Vally" (as she put it, confusing Odin's Hall with the title of a Finnish epic), said to me in the middle of a grocery store, "You are a remarkably disagreeable person. I fail to see how John and Sybil can stand you," and, exasperated by my polite smile, she added: "What's more, you are insane." But let me not pursue the tabulation of nonsense. Whatever was thought, whatever was said, I had my full reward in John's friendship. This friendship was the more precious for its tenderness being intentionally concealed, especially when we were not alone, by that gruffness which stems from what can be termed the dignity of the heart. His whole being constituted a mask. John Shade's physical appearance was so little in keeping with the harmonies hiving in the man, that one felt inclined to dismiss it as a coarse disguise or passing fashion; for if the fashions of the Romantic Age subtilized a poet's manliness by baring his attractive neck, pruning his profile and reflecting a mountain lake in his oval gaze, present-day bards, owing perhaps to better opportunities of aging, look like gorillas or vultures. My sublime neighbor's face had something about it that might have appealed to the eye, had it been only leonine or only Iroquoian; but unfortunately, by combining the two it merely reminded one of a fleshy Hogarthian tippler of indeterminate sex. His misshapen body, that gray mop of abundant hair, the yellow nails of his pudgy fingers, the bags under his lusterless eyes, were only intelligible if regarded as the waste products eliminated from his intrinsic self by the same forces of perfection which purifed and chiseled his verse. He was his own cancellation. (Foreword)
Kinbote’s “Oh, there” brings to mind Othere, a God-inspired northern bard mentioned by Kinbote in his Commentary:
During our sunset rambles, of which there were so many, at least nine (according to my notes) in June, but dwindling to two in the first three weeks of July (they shall be resumed Elsewhere!), my friend had a rather coquettish way of pointing out with the tip of his cane various curious natural objects. He never tired of illustrating by means of these examples the extraordinary blend of Canadian Zone and Austral Zone that "obtained, " as he put it, in that particular spot of Appalachia where at our altitude of about 1,500 feet northern species of birds, insects and plants commingled with southern representatives. As most literary celebrities, Shade did not seem to realize that a humble admirer who has cornered at last and has at last to himself the inaccessible man of genius, is considerably more interested in discussing with him literature and life than in being told that the "diana" (presumably a flower) occurs in New Wye together with the "atlantis" (presumably another flower), and things of that sort. I particularly remember one exasperating evening stroll (July 6) which my poet granted me, with majestic generosity, in compensation for a bad hurt (see, frequently see, note to line 181), in recompense for my small gift (which I do not think he ever used), and with the sanction of his wife who made it a point to accompany us part of the way to Dulwich Forest. By means of astute excursions into natural history Shade kept evading me, me, who was, hysterically, intensely, uncontrollably curious to know what portion exactly of the Zemblan-king's adventures he had completed in the course of the last four or five days. My usual shortcoming, pride, prevented me from pressing him with direct questions but I kept reverting to my own earlier themes - the escape from the palace, the adventures in the mountains - in order to force some confession from him. One would imagine that a poet, in the course of composing a long and difficult piece, would simply jump at the opportunity of talking about his triumphs and tribulations. But nothing of the sort! All I got in reply to my infinitely gentle and cautious interrogations were such phrases as: "Yep. It's coming along nicely," or "Nope, I'm not talkin'," and finally he brushed me off with a rather offensive anecdote about King Alfred who, it was said, liked the stories of a Norwegian attendant he had but drove him away when engaged in other business: "Oh, there you are," rude Alfred would say to the gentle Norwegian who had come to weave a subtly different variant of some old Norse myth he had already related before: "Oh there you are again!" And thus it came to pass, my dears, that a fabulous exile, a God-inspired northern bard, is known today to English schoolboys by the trivial nickname: Ohthere.
However! On a later occasion my capricious and henpecked friend was much kinder (see note to line 802).
According to Kinbote, his sunset rambles with Shade shall be resumed Elsewhere. In his Ode: Intimations of Immortality from Recollections of Early Childhood Wordsworth says that the Soul that rises with us, our life's Star, hath had elsewhere its setting and cometh from afar:
Our birth is but a sleep and a forgetting;
The Soul that rises with us, our life's Star,
Hath had elsewhere its setting
And cometh from afar;
Not in entire forgetfulness,
And not in utter nakedness,
But trailing clouds of glory do we come
From God, who is our home:
Heaven lies about us in our infancy!
Shades of the prison-house begin to close
Upon the growing Boy,
But he beholds the light, and whence it flows,
He sees it in his joy;
The Youth, who daily farther from the east
Must travel, still is Nature's priest,
And by the vision splendid
Is on his way attended;
At length the Man perceives it die away,
And fade into the light of common day.
The name of the capital of Kinbote’s Zembla, Onhava seems to hint at Heaven. Onhava-onhava means in Zemblan “far, far away:”
On the morning of July 16 (while Shade was working on the 698-746 section of his poem) dull Gradus, dreading another day of enforced inactivity in sardonically, sparkling, stimulatingly noisy Nice, decided that until hunger drove him out he would not budge from a leathern armchair in the simulacrum of a lobby among the brown smells of his dingy hotel. Unhurriedly he went through a heap of old magazines on a nearby table. There he sat, a little monument of taciturnity, sighing, puffing out his cheeks, licking his thumb before turning a page, gaping at the pictures, and moving his lips as he climbed down the columns of printed matter. Having replaced everything in a neat pile, he sank back in his chair closing and opening his gabled hands in various constructions of tedium - when a man who had occupied a seat next to him got up and walked into the outer glare leaving his paper behind. Gradus pulled it into his lap, spread it out - and froze over a strange piece of local news that caught his eye: burglars had broken into Villa Disa and ransacked a bureau, taking from a jewel box a number of valuable old medals.
Here was something to brood upon. Had this vaguely unpleasant incident some bearing on his quest? Should he do something about it? Cable headquarters? Hard to word succinctly a simple fact without having it look like a cryptogram. Airmail a clipping? He was in his room working on the newspaper with a safety razor blade when there was a bright rap-rap at the door. Gradus admitted an unexpected visitor - one of the greater Shadows, whom he had thought to be onhava-onhava ("far, far away"), in wild, misty, almost legendary Zembla! What stunning conjuring tricks our magical mechanical age plays with old mother space and old father time!
He was a merry, perhaps overmerry, fellow, in a green velvet jacket. Nobody liked him, but he certainly had a keen mind. His name, Izumrudov, sounded rather Russian but actually meant “of the Umruds,” an Eskimo tribe sometimes seen paddling their umyaks (hide-lined boats) on the emerald waters of our northern shores. Grinning, he said friend Gradus must get together his travel documents, including a health certificate, and take the earliest available jet to New York. Bowing, he congratulated him on having indicated with such phenomenal acumen the right place and the right way. Yes, after a thorough perlustration of the loot that Andron and Niagarushka had obtained from the Queen's rosewood writing desk (mostly bills, and treasured snapshots, and those silly medals) a letter from the King did turn up giving his address which was of all places -- Our man, who interrupted the herald of success to say he had never -- was bidden not to display so much modesty. A slip of paper was now produced on which Izumudrov, shaking with laughter (death is hilarious), wrote out for Gradus their client's alias, the name of the university where he taught, and that of the town where it was situated. No, the slip was not for keeps. He could keep it only while memorizing it. This brand of paper (used by macaroon makers) was not only digestible but delicious. The gay green vision withdrew - to resume his whoring no doubt. How one hates such men! (note to Line 741)