Vladimir Nabokov

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By Shakeeb_Arzoo , 23 July, 2019

Although I have been intrigued by this entry ever since Brian Boyd's mention of it under Nabokov's Reading (in the forthcoming Think, Write, Speak) only now do I look up Nabokov's Eugene Onegin and see that his epistolary novel Obermann has been quoted approvingly several times in the course of the commentary. One of them goes like this:

By Shakeeb_Arzoo , 11 July, 2019

I was just browsing through Ada and (Ada Online) when I came across three points in need of further elucidation. (http://www.ada.auckland.ac.nz)

Pt. 1 Ch 3 - 27.08: in distant France, at a much less radiant and easygoing "home": the principal allusion seems to be to the suicide of Emma Bovary, in a distorted Antiterran version. In Flaubert's novel she does not die in an institutional "home."

and from the same chapter,

By Jim Buckingham , 18 May, 2019

Has anyone, not that I know of, translated Vladimir's Russian Other Shores to English?

And no, it is NOT just a Russian translation of the English Conclusive Evidence.

World Literature would be greatly expanded by such a translating of Other Shores.

Who amongst you will take on the task? Or prompt others to do so. But they must be a writer first and a translator second.

English readers will gain further insight not available in either Conclusive Evidence or in Speak Memory, An Autobiography Revisited.

By Jim Buckingham , 18 May, 2019

Alexander Blok’s Poem Сумерки, сумерки вешние / “Twilight, Twilight Spring” captures well Vladimir Nabokov’s Russian title of Other Shores, for his Russian semi-translation of his semi-autobiography, Conclusive Evidence. Or did VN capture well Blok’s poem to convey his sense of distance and exile, cries from the other shore, to his Russian readers for Other Shores?

Read on. See Attached. 2 pages.