Subject
VN Bibliography: NABOKOV at the LIMITS, ed. Lisa Zunshine
Date
Body
Part of Garland's new "Border Crossings" series (under the general
editorship of Daniel Albright), this new volume focuses on several issues
traditionally excluded from Nabokov scholarship or located on its
periphery. The topics range from Nabokov's engagement with music and
visual arts to his interest in eighteenth-century literature. The
authors include both seasoned Nabokovians and scholars at the beginning
of their academic careers. Beautiful black-and-white illustrations,
provocative and carefully researched articles, and the price that is
more provocative than beautiful.
------------------------------
NABOKOV AT THE LIMITS: Redrawing Critical Boundaries, ed. Lisa
Zunshine (New York: Garland, 1999) PP 285. ISBN 0-8153-2895-8
TABLE OF CONTENTS
D. Barton Johnson, "Ada's 'Malbrough s'en va-t-en guerre'"
Charles Nicol, "Music in the Theatre of the Mind: Opera and Vladimir
Nabokov"
Barbara Wyllie, "Resonances of Popular Music in Lolita, Pale Fire, and
Ada"
Julian W. Connolly, "The Quest for a Natural Melody in the Fiction of
Vladimir Nabokov"
Nassim W. Balestrini, "Vladimir Nabokov's 'Invitation to a Beheading' and
Igor Stravinsky's 'Petrushka'"
Susan Elizabeth Sweeney, "'Ballet Attitudes': Nabokov's 'Lolita' and
Petipa's 'The Sleeping Beauty'"
Masha Raskolnikov, "Pninian Performatives"
Lisa Zunshine, "Alexander Pope's The Rape of the Lock and Vladimir
Nabokov's 'Pale Fire'"
Christine Raguet-Bouvart, "European Art: A Framing Device?"
Gavriel Shapiro, "Nabokov and the Comic Art"
Ralph A. Ciancio, "Nabokov's Painted Parchments"
editorship of Daniel Albright), this new volume focuses on several issues
traditionally excluded from Nabokov scholarship or located on its
periphery. The topics range from Nabokov's engagement with music and
visual arts to his interest in eighteenth-century literature. The
authors include both seasoned Nabokovians and scholars at the beginning
of their academic careers. Beautiful black-and-white illustrations,
provocative and carefully researched articles, and the price that is
more provocative than beautiful.
------------------------------
NABOKOV AT THE LIMITS: Redrawing Critical Boundaries, ed. Lisa
Zunshine (New York: Garland, 1999) PP 285. ISBN 0-8153-2895-8
TABLE OF CONTENTS
D. Barton Johnson, "Ada's 'Malbrough s'en va-t-en guerre'"
Charles Nicol, "Music in the Theatre of the Mind: Opera and Vladimir
Nabokov"
Barbara Wyllie, "Resonances of Popular Music in Lolita, Pale Fire, and
Ada"
Julian W. Connolly, "The Quest for a Natural Melody in the Fiction of
Vladimir Nabokov"
Nassim W. Balestrini, "Vladimir Nabokov's 'Invitation to a Beheading' and
Igor Stravinsky's 'Petrushka'"
Susan Elizabeth Sweeney, "'Ballet Attitudes': Nabokov's 'Lolita' and
Petipa's 'The Sleeping Beauty'"
Masha Raskolnikov, "Pninian Performatives"
Lisa Zunshine, "Alexander Pope's The Rape of the Lock and Vladimir
Nabokov's 'Pale Fire'"
Christine Raguet-Bouvart, "European Art: A Framing Device?"
Gavriel Shapiro, "Nabokov and the Comic Art"
Ralph A. Ciancio, "Nabokov's Painted Parchments"