Describing his first meeting with Shade (the poet in VN's novel Pale Fire, 1962), Kinbote (Shade's mad commentator who imagines that he is Charles the Beloved, the last self-exiled king of Zembla) mentions a bottle of good college ale with which he would content himself:
A few days later, however, namely on Monday, February 16, I was introduced to the old poet at lunch time in the faculty club. "At last presented credentials," as noted, a little ironically, in my agenda. I was invited to join him and four or five other eminent professors at his usual table, under an enlarged photograph of Wordsmith College as it was, stunned and shabby, on a remarkably gloomy summer day in 1903. His laconic suggestion that I "try the pork" amused me. I am a strict vegetarian, and I like to cook my own meals. Consuming something that had been handled by a fellow creature was, I explained to the rubicund convives, as repulsive to me as eating any creature, and that would include - lowering my voice - the pulpous pony-tailed girl student who served us and licked her pencil. Moreover, I had already finished the fruit brought with me in my briefcase, so I would content myself, I said, with a bottle of good college ale. My free and simple demeanor set everybody at ease. The usual questions were fired at me about eggnogs and milkshakes being or not being acceptable to one of my persuasion. Shade said that with him it was the other way around: he must make a definite effort to partake of a vegetable. Beginning a salad, was to him like stepping into sea water on a chilly day, and he had always to brace himself in order to attack the fortress of an apple. I was not yet used to the rather fatiguing jesting and teasing that goes on among American intellectuals of the inbreeding academic type and so abstained from telling John Shade in front of all those grinning old males how much I admired his work lest a serious discussion of literature degenerate into mere facetiation. Instead I asked him about one of my newly acquired students who also attended his course, a moody, delicate, rather wonderful boy; but with a resolute shake of his hoary forelock the old poet answered that he had ceased long ago to memorize faces and names of students and that the only person in his poetry class whom he could visualize was an extramural lady on crutches. "Come, come," said Professor Hurley, "do you mean, John, you really don't have a mental or visceral picture of that stunning blonde in the black leotard who haunts Lit. 202?" Shade, all his wrinkles beaming, benignly tapped Hurley on the wrist to make him stop. Another tormentor inquired if it was true that I had installed two ping-pong tables in my basement. I asked, was it a crime? No, he said, but why two? "Is that a crime?" I countered, and they all laughed. (Foreword)
At the end of his poem The Elfin-King (1801) John Leyden (1775-1811) mentions the ale that mantled in the cup and that turned into the murky midnight dew:
And that cup so rare, which the brave St. Clair
Did bear from the ghostly crew,
Was suddenly changed, from the emerald fair,
To the ragged whinstone blue;
And instead of the ale that mantled there,
Was the murky midnight dew. (ll. 209-214)
The cup's emerald fair brings to mind Gerald Emerald, a young instructor in a green velvet jacket at Wordsmith University who gives Gradus (Shade's murderer) a lift to Kinbote's rented house in New Wye:
Alas, my peace of mind was soon to be shattered. The thick venom of envy began squirting at me as soon as academic suburbia realized that John Shade valued my society above that of all other people. Your snicker, my dear Mrs. C., did not escape our notice as I was helping the tired old poet to find his galoshes after that dreary get-together party at your house. One day I happened to enter the English Literature office in quest of a magazine with the picture of the Royal Palace in Onhava, which I wanted my friend to see, when I overheard a young instructor in a green velvet jacket, whom I shall mercifully call Gerald Emerald, carelessly saying in answer to something the secretary had asked: "I guess Mr. Shade has already left with the Great Beaver." Of course I am quite tall, and my brown beard is of a rather rich tint and texture; the silly cognomen evidently applied to me, but was not worth noticing, and after calmly taking the magazine from a pamphlet-cluttered table, I contented myself on my way out with pulling Gerald Emerald's bow-tie loose with a deft jerk of my fingers as I passed by him. There was also the morning when Dr. Nattochdag, head of the department to which I was attached, begged me in a formal voice to be seated, then closed the door, and having regained, with a downcast frown, his swivel chair, urged me "to be more careful." In what sense, careful? A boy had complained to his adviser. Complained of what, good Lord? That I had criticized a literature course he attended ("a ridiculous survey of ridiculous works, conducted by a ridiculous mediocrity"). Laughing in sheer relief, I embraced my good Netochka, telling him I would never be naughty again. I take this opportunity to salute him. He always behaved with such exquisite courtesy toward me that I sometimes wondered if he did not suspect what Shade suspected, and what only three people (two trustees and the president of the college) definitely knew. (Foreword)
Describing Gradus' trip from the Wordsmith University Library to Judge Goldsworth's house in New Wye, Kinbote calls Gerald Emerald "the man in green" and Jakob Gradus "the man in brown:"
Along the open gallery that ran above the hall, parallel to its short side, a tall bearded man was crossing over at a military quick march from east to west. He vanished behind a bookcase but not before Gradus had recognized the great rugged frame, the erect carriage, the high-bridged nose, the straight brow, and the energetic arm swing, of Charles Xavier the Beloved.
Our pursuer made for the nearest stairs - and soon found himself among the bewitched hush of Rare Books. The room was beautiful and had no doors; in fact, some moments passed before he could discover the draped entrance he himself had just used. The awful perplexities of his quest blending with the renewal of impossible pangs in his belly, he dashed back - ran three steps down and nine steps up, and burst into a circular room where a bald-headed suntanned professor in a Hawaiian shirt sat at a round table reading with an ironic expression on his face a Russian book. He paid no attention to Gradus who traversed the room, stepped over a fat little white dog without awakening it, clattered down a helical staircase and found himself in Vault P. Here, a well-lit, pipe-lined, white-washed passage led hint to the sudden paradise of a water closet for plumbers or lost scholars where, cursing, he hurriedly transferred his automatic from its precarious dangle-pouch to his coat and relieved himself of another portion of the liquid hell inside him. He started to climb up again, and noticed in the temple light of the stacks an employee, a slim Hindu boy, with a call card in his hand. I had never spoken to that lad but had felt more than once his blue-brown gaze upon me, and no doubt my academic pseudonym was familiar to him but some sensitive cell in him, some chord of intuition, reacted to the harshness of the killer's interrogation and, as if protecting me from a cloudy danger, he smiled and said: "I do not know him, sir."
Gradus returned to the Main Desk.
"Too bad," said the girl, "I just saw him leave."
"Bozhe moy, Bozhe moy," muttered Gradus, who sometimes at moments of stress used Russian ejaculations.
"You'll find him in the directory," she said pushing it towards him, and dismissing the sick man's existence to attend to the wants of Mr. Gerald Emerald who was taking out a fat bestseller in a cellophane jacket.
Moaning and shifting from one foot to the other, Gradus started leafing through the college directory but when he found the address, he was faced with the problem of getting there.
"Dulwich Road," he cried to the girl. "Near? Far? Very far, probably?"
"Are you by any chance Professor Pnin's new assistant?" asked Emerald.
"No," said the girl. "This man is looking for Dr. Kinbote, I think. You are looking for Dr. Kinbote, aren't you?"
"Yes, and I can't any more," said Gradus.
"I thought so," said the girl. "Doesn't he live somewhere near Mr. Shade, Gerry?"
"Oh, definitely," said Gerry, and turned to the killer: "I can drive you there if you like. It is on my way."
Did they talk in the car, these two characters, the man in green and the man in brown? Who can say? They did not. After all, the drive took only a few minutes (it took me, at the wheel of my powerful Kramler, four and a half).
"I think I'll drop you here," said Mr. Emerald. "It's that house up there." (note to Line 949)
A slim Hundu boy who tells Gradus that he does not know Kinbote brings to mind John Leyden's occupation: he was a Scottish indologist. John Leyden's Elfin-King is the Knight in Green:
— “O swift, and swifter far he speeds
“Than earthly steed can run;
“But I hear not the feet of his courser fleet,
“As he glides o’er the moorland dun.” —
Lone was the strath where he crossed their path,
And wide did the heath extend,
The Knight in Green on that moor is seen
At every seven years’ end. (ll. 1-8)
The Elfin-King has an azure wing:
“No Elfin-King, with azure wing,
“On the dark brown moor I see;
“But a courser keen, and a Knight in Green,
“And full fair I ween is he.
“Nor Elfin-King, nor azure wing,
“Nor ringlets sparkling bright;” —
Sir Geoffry cried, and forward hied
To join the stranger Knight. (ll. 29-36)
At the beginning of his poem Shade compares himself to the shadow of the waxwing slain by the false azure in the windowpane:
I was the shadow of the waxwing slain
By the false azure in the windowpane;
I was the smudge of ashen fluff - and I
Lived on, flew on, in the reflected sky. (ll. 1-4)
The waxwing of Shade's poem magically turns into the Elfin-King (Charles the Beloved, the son of King Alfin) of Kinbote's commentary! In his reminiscences of R. L. Stevenson (the author of Strange Case of Dr Jekyll and Mr Hyde, 1886, and Heather Ale: A Galloway Legend, 1890) Sidney Colvin (a critic, scholar and one of RLS’s closest friends, 1845-1927) mentions a touch of the elfin and unearthly, a sprite, an Ariel about RLS's personality:
“If you want to realize the kind of effect he made, at least in the early years when I knew him best, imagine this attenuated but extraordinarily vivid and vital presence, with something about it that at first struck you as freakish, rare, fantastic, a touch of the elfin and unearthly, a sprite, an Ariel” (Sidney Colvin, Memories and Notes of Persons and Places, 1852-1912 [London: E. Arnold, 1921], p. 101)
John Leyden's poem The Elfin-King appeared in Tales of Wonder, Written and Collected by M. G. Lewis (vol. 1. London: Printed by W. Bulmer and Co., 1801). Walter Scott referred to M. G. Lewis as a "martinet." In his commentary Kinbote calls Professor Pnin, the Head of the bloated Russian Department at Wordsmith University (Gradus glimpses him in the library: a bald-headed suntanned professor in a Hawaiian shirt who sits at a round table reading a Russian book with an ironic expression on his face), "a regular martinet in regard to his underlings:"
Speaking of the Head of the bloated Russian Department, Prof. Pnin, a regular martinet in regard to his underlings (happily, Prof. Botkin, who taught in another department, was not subordinated to that grotesque "perfectionist"): "How odd that Russian intellectuals should lack all sense of humor when they have such marvelous humorists as Gogol, Dostoevski, Chekhov, Zoshchenko, and those joint authors of genius Ilf and Petrov." (note to Line 172)
The poet Shade, his commentator Kinbote and his murderer Gradus seem to represent three different aspects of one and the same person whose "real" name is Botkin. An American scholar of Russian descent, Professor Vsevolod Botkin went mad and became Shade, Kinbote and Gradus after the tragic death of his daughter Nadezhda (Hazel Shade’s "real" name). In his epigram on Count Vorontsov (the governor general of New Russia, the poet's boss in Odessa) Pushkin mentions nadezhda (hope):
Полу-милорд, полу-купец,
Полу-мудрец, полу-невежда,
Полу-подлец, но есть надежда,
Что будет полным наконец.
Half-milord, half-merchant,
Half-sage, half-ignoramus,
Half-scoundrel, but there is a hope
That he will be a full one at last.
There is a hope that, when Kinbote completes his work on Shade’s poem and commits suicide (on Oct. 19, 1959, the anniversary of Pushkin’s Lyceum), Botkin will be full again.