Vladimir Nabokov

haute montagne, que sais-je & Aurora in Lolita

By Alexey Sklyarenko , 6 March, 2026

Describing his stay in Elphinstone (a small town in the Rockies where Lolita falls ill and is hospitalized on Tuesday, June 28, 1949), Humbert Humbert (the narrator and main character in VN’s novel Lolita, 1955) mentions the haute montagne (high mountains) and Aurora (the goddess of dawn in Roman mythology and Latin poetry):

 

Mrs. Hays, the brisk, briskly rouged, blue-eyed widow who ran the motor court, asked me if I were Swiss perchance, because her sister had married a Swiss ski instructor. I was, whereas my daughter happened to be half Irish. I registered, Hays gave me the key and a tinkling smile, and, still twinkling, showed me where to park the car; Lo crawled out and shivered a little: the luminous evening air was decidedly crisp. Upon entering the cabin, she sat down on a chair at a card table, buried her face in the crook of her arm and said she felt awful. Shamming, I thought, shamming, no doubt, to evade my caresses; I was passionately parched; but she began to whimper in an unusually dreary way when I attempted to fondle her. Lolita ill. Lolita dying. Her skin was scalding hot! I took her temperature, orally, then looked up a scribbled formula I fortunately had in a jotter and after laboriously reducing the, meaningless to me, degrees Fahrenheit to the intimate centigrade of my childhood, found she had 40.4, which at least made sense. Hysterical little nymphs might, I knew, run up all kinds of temperature - even exceeding a fatal count. And I would have given her a sip of hot spiced wine, and two aspirins, and kissed the fever away, if, upon an examination of her lovely uvula, one of the gems of her body, I had not seen that it was a burning red. I undressed her. Her breath was bittersweet. Her brown rose tasted of blood. She was shaking from head to toe. She complained of a painful stiffness in the upper vertebrae - and I thought of poliomyelitis as any American parent would. Giving up all hope of intercourse, I wrapped her in a laprobe and carried her into the car. Kind Mrs. Hays in the meantime had alerted the local doctor. “You are lucky it happened here,” she said; for not only was Blue the best man in the district, but the Elphinstone hospital was as modern as modern could be, despite its limited capacity. With a heterosexual Erlkönig in pursuit, thither I drove, half-blinded by a royal sunset on the lowland side and guided by a little old woman, a portable witch, perhaps his daughter, whom Mrs. Hays had lent me, and whom I was never to see again. Dr. Blue, whose learning, no doubt, was infinitely inferior to his reputation, assured me it was a virus infection, and when I alluded to her comparatively recent flu, curtly said this was another bug, he had forty such cases on his hands; all of which sounded like the “ague” of the ancients. I wondered if I should mention, with a casual chuckle, that my fifteen-year-old daughter had had a minor accident while climbing an awkward fence with her boy friend, but knowing I was drunk, I decided to withhold the information till later if necessary. To an unsmiling blond bitch of a secretary I gave my daughter’s age as “practically sixteen.” While I was not looking, my child was taken away from me! In vain I insisted I be allowed to spend the night on a “welcome” mat in a corner of their damned hospital. I ran up constructivistic flights of stairs, I tried to trace my darling so as to tell her she had better not babble, especially if she felt as lightheaded as we all did. At one point, I was rather dreadfully rude to a very young and very cheeky nurse with overdeveloped gluteal parts and blazing black eyes - of Basque descent, as I learned. Her father was an imported shepherd, a trainer of sheep dogs. Finally, I returned to the car and remained in it for I do not know how many hours, hunched up in the dark, stunned by my new solitude, looking out open-mouthed now at the dimly illumined, very square and low hospital building squatting in the middle of its lawny block, now up at the wash of stars and the jagged silvery ramparts of the haute montagne where at the moment Mary’s father, lonely Joseph Lore was dreaming of Oloron, Lagore, Rolas - que sais-je! - or seducing a ewe. Such-like fragrant vagabond thoughts have been always a solace to me in times of unusual stress, and only when, despite liberal libations, I felt fairly numbed by the endless night, did I think of driving back to the motel. The old woman had disappeared, and I was not quite sure of my way. Wide gravel roads criss-crossed drowsy rectangual shadows. I made out what looked like the silhouette of gallows on what was probably a school playground; and in another waste - like black there rose in domed silence the pale temple of some local sect. I found the highway at last, and then the motel, where millions of so-called “millers,” a kind of insect, were swarming around the neon contours of “No Vacancy”; and, when, at 3 a. m., after one of those untimely hot showers which like some mordant only help to fix a man’s despair and weariness, I lay on her bed that smelled of chestnuts and roses, and peppermint, and the very delicate, very special French perfume I latterly allowed her to use, I found myself unable to assimilate the simple fact that for the first time in two years I was separated from my Lolita. All at once it occurred to me that her illness was somehow the development of a theme - that it had the same taste and tone as the series of linked impressions which had puzzled and tormented me during our journey; I imagined that secret agent, or secret lover, or prankster, or hallucination, or whatever he was, prowling around the hospital - and Aurora had hardly “warmed her hands,” as the pickers of lavender say in the country of my birth, when I found myself trying to get into that dungeon again, knocking upon its green doors, breakfastless, stool-less, in despair.

This was Tuesday, and Wednesday or Thursday, splendidly reacting like the darling she was to some “serum” (sparrow’s sperm or dugong’s dung), she was much better, and the doctor said that in a couple of days she would be “skipping” again. (2.22)

 

Que sais-je? ("What do I know?") was the motto of Michel de Montaigne (a French philosopher, 1533-1592). In his Essais (Book One, Chapter XIX — To Philosophize Is to Learn to Die) Montaigne quotes Lucretius, a Roman poet and philosopher (c. 99-55 BC) who mentions aurora (dawn) in his didactic poem De rerum natura:

 

Is everything not dancing the same dance as you? Is something not aging just as you are? A thousand people, a thousand animals, and a thousand other creatures die at the exact moment you die:

“‘Nam nox nulla diem, neque noctem aurora sequuta est,          

Quae non audierit mistos vagitibus aegris          

Ploratus, mortis comites et funeris atri.’     

[No night has ever followed a day, nor dawn ever followed a night, in which the cries of newborns are not heard together with the sorrowful wailing of deaths and funerals.”—Lucretius, 2. 578]

 

The next chapter of Montaigne's Essais (Book One, Chapter XX) is entitled "On the Power of Imagination" and has the following motto: “Fortis imaginatio generat casum,” say the schoolmen. [“A strong imagination begets the event itself.”—Axiom. Scholast.] The chapter begins as follows:

 

I am one of those who are most sensible of the power of imagination: every one is jostled by it, but some are overthrown by it. It has a very piercing impression upon me; and I make it my business to avoid, wanting force to resist it. I could live by the sole help of healthful and jolly company: the very sight of another’s pain materially pains me, and I often usurp the sensations of another person. A perpetual cough in another tickles my lungs and throat. I more unwillingly visit the sick in whom by love and duty I am interested, than those I care not for, to whom I less look. I take possession of the disease I am concerned at, and take it to myself. I do not at all wonder that fancy should give fevers and sometimes kill such as allow it too much scope, and are too willing to entertain it. Simon Thomas was a great physician of his time: I remember, that happening one day at Toulouse to meet him at a rich old fellow’s house, who was troubled with weak lungs, and discoursing with the patient about the method of his cure, he told him, that one thing which would be very conducive to it, was to give me such occasion to be pleased with his company, that I might come often to see him, by which means, and by fixing his eyes upon the freshness of my complexion, and his imagination upon the sprightliness and vigour that glowed in my youth, and possessing all his senses with the flourishing age wherein I then was, his habit of body might, peradventure, be amended; but he forgot to say that mine, at the same time, might be made worse. Gallus Vibius so much bent his mind to find out the essence and motions of madness, that, in the end, he himself went out of his wits, and to such a degree, that he could never after recover his judgment, and might brag that he was become a fool by too much wisdom. Some there are who through fear anticipate the hangman; and there was the man, whose eyes being unbound to have his pardon read to him, was found stark dead upon the scaffold, by the stroke of imagination. We start, tremble, turn pale, and blush, as we are variously moved by imagination; and, being a-bed, feel our bodies agitated with its power to that degree, as even sometimes to expiring. And boiling youth, when fast asleep, grows so warm with fancy, as in a dream to satisfy amorous desires:—

“Ut, quasi transactis saepe omnibu rebu, profundant          

Fluminis ingentes, fluctus, vestemque cruentent.”

[So that, as though everything had actually happened, they release a powerful stream and stain their garment.]

 

One is reminded of the last lines of VN's poem Lilith (1928):

 

«Впусти», — и козлоногий, рыжий
народ все множился. «Впусти же,
иначе я с ума сойду!»
Молчала дверь. И перед всеми
мучительно я пролил семя
и понял вдруг, что я в аду.

 

“Let me come in!” And the goat-hoofed,
copper-curled crowd increased. “Oh, let me in,”
I pleaded, “otherwise I shall go mad!”
The door stayed silent, and for all to see
writhing in agony I spilled my seed
and knew abruptly that I was in Hell.

 

According to Humbert, he was perfectly capable of intercourse with Eve, but it was Lilith he longed for:

 

But let us be prim and civilized. Humbert Humbert tried hard to be good. Really and truly, he did. He had the utmost respect for ordinary children, with their purity and vulnerability, and under no circumstances would he have interfered with the innocence of a child, if there was the least risk of a row. But how his heart beat when, among the innocent throng, he espied a demon child, “enfant charmante et fourbe,” dim eyes, bright lips, ten years in jail if you only show her you are looking at her. So life went. Humbert was perfectly capable of intercourse with Eve, but it was Lilith he longed for. The bud-stage of breast development appears early (10.7 years) in the sequence of somatic changes accompanying pubescence. And the next maturational item available is the first appearance of pigmented pubic hair (11.2 years). My little cup brims with tiddles. (1.5)

 

According to John Ray, Jr. (the author of the Foreword to Humbert's manuscript), Mrs. “Richard F. Schiller” (Lolita's married name) outlived Humbert (who had died in legal captivity, of coronary thrombosis, on November 16, 1952, a few days before his trial was scheduled to start) by forty days and died in childbed, giving birth to a stillborn girl, on Christmas Day 1952, in Gray Star, a settlement in the remotest Northwest:

 

For the benefit of old-fashioned readers who wish to follow the destinies of the “real” people beyond the “true” story, a few details may be given as received from Mr. “Windmuller,” or “Ramsdale,” who desires his identity suppressed so that “the long shadow of this sorry and sordid business” should not reach the community to which he is proud to belong. His daughter, “Louise,” is by now a college sophomore, “Mona Dahl” is a student in Paris. “Rita” has recently married the proprietor of a hotel in Florida. Mrs. “Richard F. Schiller” died in childbed, giving birth to a stillborn girl, on Christmas Day 1952, in Gray Star, a settlement in the remotest Northwest. “Vivian Darkbloom” has written a biography, “My Cue,” to be publshed shortly, and critics who have perused the manuscript call it her best book. The caretakers of the various cemeteries involved report that no ghosts walk.

 

But it seems that, actually, Lolita dies of ague on July 4, 1949, in the Elphinstone hospital. Everything what happens after her sudden death (Lolita's escape from the hospital, Humbert's affair with Rita, Lolita's marriage and pregnancy, and the murder of Clare Quilty) was invented by Humbert Humbert (whose "real" name is John Ray, Jr.). John Ray, Jr. brings to mind Raymond Lully (a Mallorcan philosopher and poet who invented a philosophical system known as the Art, conceived as a type of universal logic to prove the truth of Christian doctrine to interlocutors of all faiths and nationalities, c. 1232-1316) and Raymond de Sabunde (a Catalan theologian and physician, c. 1385-1436). An Apology for Raymond Sabunde is an essay by Montaigne.