Vladimir Nabokov

L'EX-ROI DE ZEMBLA EST-IL À PARIS?

By Alexey Sklyarenko, 29 May, 2024

Describing the Shadows (a regicidal organization), Kinbote (in VN’s novel Pale Fire, 1962, Shade’s mad commentator who imagines that he is Charles the Beloved, the last self-exiled king of Zembla) mentions a copy of a French newspaper with the headline: L'EX-ROI DE ZEMBLA EST-IL À PARIS?:

 

For almost a whole year after the King's escape the Extremists remained convinced that he and Odon had not left Zembla. The mistake can be only ascribed to the streak of stupidity that fatally runs through the most competent tyranny. Airborne machines and everything connected with them cast a veritable spell over the minds of our new rulers whom kind history had suddenly given a boxful of these zipping and zooming gadgets to play with. That an important fugitive would not perform by air the act of fleeing seemed to them inconceivable. Within minutes after the King and the actor had clattered down the backstairs of the Royal Theater, every wing in the sky and on the ground had been accounted for - such was the efficiency of the government. During the next weeks not one private or commercial plane was allowed to take off, and the inspection of transients became so rigorous and lengthy that international lines decided to cancel stopovers at Onhava. There were some casualties. A crimson balloon was enthusiastically shot down and the aeronaut (a well-known meteorologist) drowned in the Gulf of Surprise. A pilot from a Lapland base flying on a mission of mercy got lost in the fog and was so badly harassed by Zemblan fighters that he settled atop a mountain peak. Some excuse for all this could be found. The illusion of the King's presence in the wilds of Zembla was kept up by royalist plotters who decoyed entire regiments into searching the mountains and woods of our rugged peninsula. The government spent a ludicrous amount of energy on solemnly screening the hundreds of impostors packed in the country's jails. Most of them clowned their way back to freedom; a few, alas, fell. Then, in the spring of the following year, a stunning piece of news came from abroad. The Zemblan actor Odon was directing the making of a cinema picture in Paris!

It was now correctly conjectured that if Odon had fled, the King had fled too: At an extraordinary session of the Extremist government there was passed from hand to hand, in grim silence, a copy of a French newspaper with the headline: L'EX-ROI DE ZEMBLA EST-IL À PARIS? Vindictive exasperation rather than state strategy moved the secret organization of which Gradus was an obscure member to plot the destruction of the royal fugitive. Spiteful thugs! They may be compared to hoodlums who itch to torture the invulnerable gentleman whose testimony clapped them in prison for life. Such convicts have been known to go berserk at the thought that their elusive victim whose very testicles they crave to twist and tear with their talons, is sitting at a pergola feast on a sunny island or fondling some pretty young creature between his knees in serene security - and laughing at them! One supposes that no hell can be worse than the helpless rage they experience as the awareness of that implacable sweet mirth reaches them and suffuses them, slowly destroying their brutish brains. A group of especially devout Extremists calling themselves the Shadows had got together and swore to hunt down the King and kill him wherever he might be. They were, in a sense, the shadow twins of the Karlists and indeed several had cousins or even brothers among the followers of the King. No doubt, the origin of either group could be traced to various reckless rituals in student fraternities and military clubs, and their development examined in terms of fads and anti-fads; but, whereas an objective historian associates a romantic and noble glamor with Karlism, its shadow group must strike one as something definitely Gothic and nasty. The grotesque figure of Gradus, a cross between bat and crab, was not much odder than many other Shadows, such as, for example, Nodo, Odon's epileptic half-brother who cheated at cards, or a mad Mandevil who had lost a leg in trying to make anti-matter. Gradus had long been a member of all sorts of jejune leftist organizations. He had never killed, though coming rather close to it several times in his gray life. He insisted later that when he found himself designated to track down and murder the King, the choice was decided by a show of cards - but let us not forget that it was Nodo who shuffled and dealt them out. Perhaps our man's foreign origin secretly prompted a nomination that would not cause any son of Zembla to incur the dishonor of actual regicide. We can well imagine the scene: the ghastly neon lights of the laboratory, in an annex of the Glass Works, where the Shadows happened to hold their meeting that night; the ace of spades lying on the tiled floor, the vodka gulped down out of test tubes; the many hands clapping Gradus on his round back, and the dark exultation of the man as he received those rather treacherous congratulations. We place this fatidic moment at 0:05, July 2, 1959 - which happens to be also the date upon which an innocent poet penned the first lines of his last poem. (note to Line 171)

 

The group's name, the Shadows, brings to mind R. L. Stevenson's poem My Shadow. In a letter of March 1882 to Alexander Ireland (1810-94, a Scottish journalist, man of letters, and bibliophile, notable as a biographer of R. W. Emerson as well as a friend of Emerson and other literary celebrities, including Leigh Hunt and Thomas Carlyle) R. L. Stevenson (who stayed in Davos, Chalet am Stein) praises Alphonse Daudet's novel Les Rois en exil (1879):

 

The best of the present French novelists seems to me, incomparably, Daudet. LES ROIS EN EXIL comes very near being a masterpiece. For Zola I have no toleration, though the curious, eminently bourgeois, and eminently French creature has power of a kind. But I would he were deleted. I would not give a chapter of old Dumas (meaning himself, not his collaborators) for the whole boiling of the Zolas. Romance with the smallpox — as the great one: diseased anyway and blackhearted and fundamentally at enmity with joy.

 

In his novel Nana (1880) Émile Zola has Nana die a horrible death in July 1870 from smallpox. Alphonse Daudet's first name makes one think of King Alfin (the father of Charles the Beloved) and of Alphina, the youngest of Judge Goldsworth's four daughters (Judge Goldsworth is Kinbote's landlord). R. L. Stevenson studied law at the University of Edinburgh.

 

The King's friend Odon (pseudonym of Donald O'Donnell, b. 1915, world-famous actor and Zemblan patriot who helps the king to escape from Zembla) is "a fox-browed, burly Irishman, with a pink head now covered by the rakish cap of a Russki factory worker" (note to Line 130). Odon's half-brother Nodo (b. 1916, son of Leopold O'Donnell and of a Zemblan boy impersonator; a cardsharp and despicable traitor) brings to mind R. L. Stevenson's poem The Land of Nod:

 

From breakfast on through all the day
At home among my friends I stay,
But every night I go abroad
Afar into the land of Nod.

All by myself I have to go,
With none to tell me what to do —
All alone beside the streams
And up the mountain-sides of dreams.

The strangest things are there for me,
Both things to eat and things to see,
And many frightening sights abroad
Till morning in the land of Nod.

Try as I like to find the way,
I never can get back by day,
Nor can remember plain and clear
The curious music that I hear.

 

The Land of Nod is a place mentioned in the Book of Genesis of the Hebrew Bible, located "on the east of Eden," where Cain was exiled by God after Cain had murdered his brother Abel. A character in R. L. Stevenson's Strange Case of Dr Jekyll and Mr Hyde (1886), Mr. Utterson inclines to Cain's heresy:

 

Mr. Utterson the lawyer was a man of a rugged countenance that was never lighted by a smile; cold, scanty and embarrassed in discourse; backward in sentiment; lean, long, dusty, dreary and yet somehow lovable. At friendly meetings, and when the wine was to his taste, something eminently human beaconed from his eye; something indeed which never found its way into his talk, but which spoke not only in these silent symbols of the after-dinner face, but more often and loudly in the acts of his life. He was austere with himself; drank gin when he was alone, to mortify a taste for vintages; and though he enjoyed the theatre, had not crossed the doors of one for twenty years. But he had an approved tolerance for others; sometimes wondering, almost with envy, at the high pressure of spirits involved in their misdeeds; and in any extremity inclined to help rather than to reprove. “I incline to Cain’s heresy,” he used to say quaintly: “I let my brother go to the devil in his own way.” In this character, it was frequently his fortune to be the last reputable acquaintance and the last good influence in the lives of downgoing men. And to such as these, so long as they came about his chambers, he never marked a shade of change in his demeanour. (Chapter I "Story of the Door")

 

According to Kinbote, in a theological dispute with him Shade mentioned Cain and Abel:

 

SHADE: All the seven deadly sins are peccadilloes but without three of them, Pride, Lust, and Sloth, poetry might never have been born.
KINBOTE: Is it fair to base objections upon obsolete terminology?
SHADE: All religions are based upon obsolete terminology.
KINBOTE: What we term Original Sin can never grow obsolete.
SHADE: I know nothing about that. In fact when I was small I thought it meant Cain killing Abel. Personally, I am with the old snuff-takers: L'homme est né bon. (note to Line 549)

 

In his letter to Alexander Ireland Stevenson asks Ireland if his wife does not object to smoking:

 

I trust that Mrs. Ireland does not object to smoking; and if you are a teetotaller, I beg you to mention it before I come — I have all the vices; some of the virtues also, let us hope — that, at least, of being a Scotchman, and yours very sincerely,

ROBERT LOUIS STEVENSON.

 

In his Commentary and Index to Shade's poem Kinbote mentions his Scottish tutor, Mr. Campbell:

 

Campbell, Walter, b .1890, in Glasgow; K.'s tutor, 1922-1931, an amiable gentleman with a mellow and rich mind; dead shot and champion skater; now in Iran; 130. (Index)