At the end of his farewell letter to Marina (in VN's novel Ada, 1969, Van's, Ada's and Lucette's mother) Demon Veen (Van's and Ada's father) says that Marina's runaway maid has been found by the police in a brothel here and will be shipped to Marina as soon as she is sufficiently stuffed with mercury:
‘Adieu. Perhaps it is better thus,’ wrote Demon to Marina in mid-April, 1869 (the letter may be either a copy in his calligraphic hand or the unposted original), ‘for whatever bliss might have attended our married life, and however long that blissful life might have lasted, one image I shall not forget and will not forgive. Let it sink in, my dear. Let me repeat it in such terms as a stage performer can appreciate. You had gone to Boston to see an old aunt — a cliché, but the truth for the nonce — and I had gone to my aunt’s ranch near Lolita, Texas. Early one February morning (around noon chez vous) I rang you up at your hotel from a roadside booth of pure crystal still tear-stained after a tremendous thunderstorm to ask you to fly over at once, because I, Demon, rattling my crumpled wings and cursing the automatic dorophone, could not live without you and because I wished you to see, with me holding you, the daze of desert flowers that the rain had brought out. Your voice was remote but sweet; you said you were in Eve’s state, hold the line, let me put on a penyuar. Instead, blocking my ear, you spoke, I suppose, to the man with whom you had spent the night (and whom I would have dispatched, had I not been overeager to castrate him). Now that is the sketch made by a young artist in Parma, in the sixteenth century, for the fresco of our destiny, in a prophetic trance, and coinciding, except for the apple of terrible knowledge, with an image repeated in two men’s minds. Your runaway maid, by the way, has been found by the police in a brothel here and will be shipped to you as soon as she is sufficiently stuffed with mercury.’ (1.2)
Darkbloom (‘Notes to Ada’): Lolita, Texas: this town exists, or, rather, existed, for it has been renamed, I believe, after the appearance of the notorious novel.
penyuar: Russ., peignoir.
In one of his epigrams on Aglaya Davydov (with whom Pushkin, as many others, had had a brief affair) Pushkin mentions Mercury who punishes Aglaya for her love of the opposite sex:
Оставя честь судьбе на произвол,
Давыдова, живая жертва фурий,
От малых лет любила чуждый пол,
И вдруг беда! казнит её Меркурий,
Раскаяться приходит ей пора,
Она лежит, глаз пухнет понемногу,
Вдруг лопнул он: что ж дама? — «Слава богу!
Всё к лучшему: вот новая <дыра>!»
Having left her honor to the mercy of fate,
Mme Davydov, a live victim of the furies,
from young age loved the opposite sex,
and suddenly she is in trouble! Mercury punishes her.
It's time for her to repent,
she lies in bed, her eye swells up little by little,
Suddenly it burst: what will the lady do? "Thank God!
It's for the best: here is a new hole!"
Slava bogu! (Thank God!) brings to mind "correctly, thank Log" (Van's parenthetical remark):
The aging woman who sold barley sugar and Lucky Louse magazines in the corner shop, which by tradition was not strictly out of bounds, happened to hire a young helper, and Cheshire, the son of a thrifty lord, quickly ascertained that this fat little wench could be had for a Russian green dollar. Van was one of the first to avail himself of her favors. These were granted in semi-darkness, among crates and sacks at the back of the shop after hours. The fact of his having told her he was sixteen and a libertine instead of fourteen and a virgin proved a source of embarrassment to our hell-raker when he tried to bluster his inexperience into quick action but only succeeded in spilling on the welcome mat what she would have gladly helped him to take indoors. Things went better six minutes later, after Cheshire and Zographos were through; but only at the next mating party did Van really begin to enjoy her gentleness, her soft sweet grip and hearty joggle. He knew she was nothing but a fubsy pig-pink whore let and would elbow her face away when she attempted to kiss him after he had finished and was checking with one quick hand, as he had seen Cheshire do, if his wallet was still in his hip pocket; but somehow or other, when the last of some forty convulsions had come and gone in the ordinary course of collapsing time, and his train was bowling past black and green fields to Ardis, he found himself endowing with unsuspected poetry her poor image, the kitchen odor of her arms, the humid eyelashes in the sudden gleam of Cheshire’s lighter and even the creaky steps of old deaf Mrs Gimber in her bedroom upstairs.
In an elegant first-class compartment, with one’s gloved hand in the velvet side-loop, one feels very much a man of the world as one surveys the capable landscape capably skimming by. And every now and then the passenger’s roving eyes paused for a moment as he listened inwardly to a nether itch, which he supposed to be (correctly, thank Log) only a minor irritation of the epithelium. (1.4)
In Chapter One (V: 4) of Eugene Onegin Pushkin uses the phrase slava Bogu (thank God):
Мы все учились понемногу,
Чему-нибудь и как-нибудь;
Так воспитаньем, слава Богу,
У нас немудрено блеснуть.
Онегин был, по мненью многих
(Судей решительных и строгих),
Учёный малый, но педант.
Имел он счастливый талант
Без принужденья в разговоре
Коснуться до всего слегка,
С учёным видом знатока
Хранить молчанье в важном споре
И возбуждать улыбку дам
Огнём нежданных эпиграмм.
All of us had a bit of schooling
in something and somehow:
hence in our midst it is not hard,
thank God, to flaunt one's education.
Onegin was, in the opinion
of many (judges resolute and stern),
a learned fellow but a pedant.
He had the happy talent,
without constraint, in conversation
slightly to touch on everything,
keep silent, with an expert's learned air,
during a grave discussion, and provoke
the smiles of ladies with the fire
of unexpected epigrams.
Like epigram and epigraph (in the next stanza Pushkin says that Onegin had enough knowledge of Latin to make out epigraphs), epilogue and epistemology (the branch of philosophy that examines the nature, origin, and limits of knowledge) begin with epi. Part Five of Ada is not meant as an epilogue:
I, Van Veen, salute you, life, Ada Veen, Dr Lagosse, Stepan Nootkin, Violet Knox, Ronald Oranger. Today is my ninety-seventh birthday, and I hear from my wonderful new Everyrest chair a spade scrape and footsteps in the snow-sparkling garden, and my old Russian valet, who is deafer than he thinks, pullout and push in nose-ringed drawers in the dressing room. This Part Five is not meant as an epilogue; it is the true introduction of my ninety-seven percent true, and three percent likely, Ada or Ardor, a family chronicle. (5.1)
Van's published works are not epistemic tasks set to himself by a savant, but buoyant and bellicose exercises in literary style:
As Ada, Mr Oranger (a born catalyzer), and Van were discussing those matters one afternoon in 1957 (Van’s and Ada’s book Information and Form had just come out), it suddenly occurred to our old polemicist that all his published works — even the extremely abstruse and specialized Suicide and Sanity (1912), Compitalia (1921), and When an Alienist Cannot Sleep (1932), to cite only a few — were not epistemic tasks set to himself by a savant, but buoyant and bellicose exercises in literary style. He was asked why, then, did he not let himself go, why did he not choose a big playground for a match between Inspiration and Design; and with one thing leading to another it was resolved that he would write his memoirs — to be published posthumously.
He was a very slow writer. It took him six years to write the first draft and dictate it to Miss Knox, after which he revised the typescript, rewrote it entirely in long hand (1963-1965) and redictated the entire thing to indefatigable Violet, whose pretty fingers tapped out a final copy in 1967. E, p, i — why ‘y,’ my dear? (5.4)
Darkbloom (‘Notes to Ada’): Compitalia: Lat., crossroads.
E, p, i: referring to ‘epistemic’ (see above).
Before the family dinner in “Ardis the Second” Demon tells Van that the servants at Ardis are not Mercuries:
‘I say,’ exclaimed Demon, ‘what’s happened — your shaftment is that of a carpenter’s. Show me your other hand. Good gracious’ (muttering:) ‘Hump of Venus disfigured, Line of Life scarred but monstrously long…’ (switching to a gipsy chant:) ‘You’ll live to reach Terra, and come back a wiser and merrier man’ (reverting to his ordinary voice:) ‘What puzzles me as a palmist is the strange condition of the Sister of your Life. And the roughness!’
‘Mascodagama,’ whispered Van, raising his eyebrows.
‘Ah, of course, how blunt (dumb) of me. Now tell me — you like Ardis Hall?’
‘I adore it,’ said Van. ‘It’s for me the château que baignait la Dore. I would gladly spend all my scarred and strange life here. But that’s a hopeless fancy.’
‘Hopeless? I wonder. I know Dan wants to leave it to Lucile, but Dan is greedy, and my affairs are such that I can satisfy great greed. When I was your age I thought that the sweetest word in the language rhymes with "billiard," and now I know I was right. If you’re really keen, son, on having this property, I might try to buy it. I can exert a certain pressure upon my Marina. She sighs like a hassock when you sit upon her, so to speak. Damn it, the servants here are not Mercuries. Pull that cord again. Yes, maybe Dan could be made to sell.’
‘That’s very black of you, Dad,’ said pleased Van, using a slang phrase he had learned from his tender young nurse, Ruby, who was born in the Mississippi region where most magistrates, public benefactors, high priests of various so-called’ denominations,’ and other honorable and generous men, had the dark or darkish skin of their West-African ancestors, who had been the first navigators to reach the Gulf of Mexico.
I wonder,’ Demon mused. ‘It would cost hardly more than a couple of millions minus what Cousin Dan owes me, minus also the Ladore pastures, which are utterly mucked up and should be got rid of gradually, if the local squires don’t blow up that new kerosene distillery, the stïd i sram (shame) of our county. I am not particularly fond of Ardis, but I have nothing against it, though I detest its environs. Ladore Town has become very honky-tonky, and the gaming is not what it used to be. You have all sorts of rather odd neighbors. Poor Lord Erminin is practically insane. At the races, the other day, I was talking to a woman I preyed upon years ago, oh long before Moses de Vere cuckolded her husband in my absence and shot him dead in my presence — an epigram you’ve heard before, no doubt from these very lips —’
(The next thing will be ‘paternal repetitiousness.’)
‘— but a good son should put up with a little paternal repetitiousness — Well, she tells me her boy and Ada see a lot of each other, et cetera. Is that true?’
‘Not really,’ said Van. ‘They meet now and then — at the usual parties. Both like horses, and races, but that’s all. There is no et cetera, that’s out of the question.’
‘Good! Ah, the portentous footfall is approaching, I hear. Prascovie de Prey has the worst fault of a snob: overstatement. Bonsoir, Bouteillan. You look as ruddy as your native vine — but we are not getting any younger, as the amerlocks say, and that pretty messenger of mine must have been waylaid by some younger and more fortunate suitor.’ (1.38)
Demon's pretty messenger is Blanche, a French handmaid at Ardis who marries Trofim Fartukov (the Russian coachman in Ardis the Second). When they watch Kim Beauharnais's album, Ada tells Van that Trofim and Blanche have a blind child. In his poem Amur i Gimeney ("Amor and Hymen," 1816) Pushkin says that Amor is not blind at all:
Сегодня, добрые мужья,
Повеселю вас новой сказкой.
Знавали ль вы, мои друзья,
Слепого мальчика с повязкой?
Слепого?... вот помилуй, Феб!
Амур совсем, друзья, не слеп,
Но шалости — его забавы:
Ему хотелось — о лукавый! —
Чтоб, людям на смех и на зло,
Его Дурачество вело.
Дурачество ведет Амура;
Но скоро богу моему
Наскучила богиня дура,
Не знаю верно почему.
Задумал новую затею:
Повязку с милых сняв очей,
Идет проказник к Гименею...
А что такое Гименей?
Он из Кипридиных детей,
Бедняжка, дряхлый и ленивый,
Холодный, грустный, молчаливый,
Ворчит и дремлет целый век,
И впрочем — добрый человек,
Да нрав имеет он ревнивый. —
От ревности печальный бог
Спокойно и заснуть не мог;
Всё трусил маленького брата,
За ним подсматривал тайком
И караулил сопостата,
Шатаясь вечно с фонарем.
Вот мальчик мой к нему подходит
И речь коварную заводит:
«Помилуй, братец Гименей!
Что это? Я стыжусь, любезный,
И нашей ссоры бесполезной,
И вечной трусости твоей:
Ну, помиримся, будь умней;
Забудем наш раздор постылый,
Но только навсегда — смотри!
Возьми ж повязку в память, милый,
А мне фонарь свой подари».
И что ж? Поверил бог унылый;
Амур от радости прыгнул,
И на глаза со всей он силы
Обнову брату затянул.
С тех пор таинственные взоры
Не страшны больше красотам,
Не страшны грустные дозоры,
Ни пробужденья по ночам.
Спокоен он, но брат коварный,
Шутя над честью и над ним,
Войну ведет, неблагодарный,
С своим союзником слепым.
Лишь сон на смертных налетает,
Амур в молчании ночном
Фонарь любовнику вручает,
И сам счастливца провождает
К уснувшему супругу в дом;
Сам от беспечного Гимена
Он охраняет тайну дверь...
Пожалуйста, мой друг Елена,
Премудрой повести поверь!
The title of Pushkin's poem brings to mind Eric Veen's floramors (Villa Venus) and "popping the hymen," a phrase used by Ada (now married to Andrey Vinelander) when she tells Van about the funeral of Marina:
‘My upper-lip space feels indecently naked.’ (He had shaved his mustache off with howls of pain in her presence). ‘And I cannot keep sucking in my belly all the time.’
‘Oh, I like you better with that nice overweight — there’s more of you. It’s the maternal gene, I suppose, because Demon grew leaner and leaner. He looked positively Quixotic when I saw him at Mother’s funeral. It was all very strange. He wore blue mourning. D’Onsky’s son, a person with only one arm, threw his remaining one around Demon and both wept comme des fontaines. Then a robed person who looked like an extra in a technicolor incarnation of Vishnu made an incomprehensible sermon. Then she went up in smoke. He said to me, sobbing: "I will not cheat the poor grubs!" Practically a couple of hours after he broke that promise we had sudden visitors at the ranch — an incredibly graceful moppet of eight, black-veiled, and a kind of duenna, also in black, with two bodyguards. The hag demanded certain fantastic sums — which Demon, she said, had not had time to pay, for "popping the hymen" — whereupon I had one of our strongest boys throw out vsyu (the entire) kompaniyu.’
‘Extraordinary,’ said Van, ‘they had been growing younger and younger — I mean the girls, not the strong silent boys. His old Rosalind had a ten-year-old niece, a primed chickabiddy. Soon he would have been poaching them from the hatching chamber.’
‘You never loved your father,’ said Ada sadly.
‘Oh, I did and do — tenderly, reverently, understandingly, because, after all, that minor poetry of the flesh is something not unfamiliar to me. But as far as we are concerned, I mean you and I, he was buried on the same day as our uncle Dan.’
‘I know, I know. It’s pitiful! And what use was it? Perhaps I oughtn’t to tell you, but his visits to Agavia kept getting rarer and shorter every year. Yes, it was pitiful to hear him and Andrey talking. I mean, Andrey n’a pas le verbe facile, though he greatly appreciated — without quite understanding it — Demon’s wild flow of fancy and fantastic fact, and would often exclaim, with his Russian "tssk-tssk" and a shake of the head — complimentary and all that — "what a balagur (wag) you are!" — And then, one day, Demon warned me that he would not come any more if he heard again poor Andrey’s poor joke (Nu i balagur-zhe vï, Dementiy Labirintovich) or what Dorothy, l’impayable ("priceless for impudence and absurdity") Dorothy, thought of my camping out in the mountains with only Mayo, a cowhand, to protect me from lions.’
‘Could one hear more about that?’ asked Van.
‘Well, nobody did. All this happened at a time when I was not on speaking terms with my husband and sister-in-law, and so could not control the situation. Anyhow, Demon did not come even when he was only two hundred miles away and simply mailed instead, from some gaming house, your lovely, lovely letter about Lucette and my picture.’
‘One would also like to know some details of the actual coverture — frequence of intercourse, pet names for secret warts, favorite smells —’
‘Platok momental’no (handkerchief quick)! Your right nostril is full of damp jade,’ said Ada, and then pointed to a lawnside circular sign, rimmed with red, saying: Chiens interdits and depicting an impossible black mongrel with a white ribbon around its neck: Why, she wondered, should the Swiss magistrates forbid one to cross highland terriers with poodles? (3.8)
Darkbloom (‘Notes to Ada’): comme etc.: shedding floods of tears.
N’a pas le verbe etc.: lacks the gift of the gab.
chiens etc.: dogs not allowed.
Describing Villa Venus, Van mentions the Rajah of Cachou (an impostor) who was infected with a venereal disease by a (genuine) great-grandniece of Empress Josephine:
When the deterioration of the club set in, it proceeded with amazing rapidity along several unconnected lines. Girls of flawless pedigree turned out to be wanted by the police as the ‘molls’ of bandits with grotesque jaws, or to have been criminals themselves. Corrupt physicians passed faded blondes who had had half a dozen children, some of them being already prepared to enter remote floramors themselves. Cosmeticians of genius restored forty-year-old matrons to look and smell like schoolgirls at their first prom. Highborn gentlemen, magistrates of radiant integrity, mild-mannered scholars, proved to be such violent copulators that some of their younger victims had to be hospitalized and removed to ordinary lupanars. The anonymous protectors of courtesans bought medical inspectors, and the Rajah of Cachou (an impostor) was infected with a venereal disease by a (genuine) great-grandniece of Empress Josephine. Simultaneously, economic disasters (beyond the financial or philosophical ken of invulnerable Van and Demon but affecting many persons of their set) began to restrict the esthetic assets of Villa Venus. Disgusting pimps with obsequious grins disclosing gaps in their tawny teeth popped out of rosebushes with illustrated pamphlets, and there were fires and earthquakes, and quite suddenly, out of the hundred original palazzos, only a dozen remained, and even those soon sank to the level of stagnant stews, and by 1910 all the dead of the English cemetery at Ex had to be transferred to a common grave. (2.3)
During Van's first tea party at Ardis Marina mentions Queen Josephine:
They now had tea in a prettily furnished corner of the otherwise very austere central hall from which rose the grand staircase. They sat on chairs upholstered in silk around a pretty table. Ada’s black jacket and a pink-yellow-blue nosegay she had composed of anemones, celandines and columbines lay on a stool of oak. The dog got more bits of cake than it did ordinarily. Price, the mournful old footman who brought the cream for the strawberries, resembled Van’s teacher of history, ‘Jeejee’ Jones.
‘He resembles my teacher of history,’ said Van when the man had gone.
‘I used to love history,’ said Marina, ‘I loved to identify myself with famous women. There’s a ladybird on your plate, Ivan. Especially with famous beauties — Lincoln’s second wife or Queen Josephine.’
‘Yes, I’ve noticed — it’s beautifully done. We’ve got a similar set at home.’
‘Slivok (some cream)? I hope you speak Russian?’ Marina asked Van, as she poured him a cup of tea.
‘Neohotno no sovershenno svobodno (reluctantly but quite fluently),’ replied Van, slegka ulïbnuvshis’ (with a slight smile). ‘Yes, lots of cream and three lumps of sugar.’
‘Ada and I share your extravagant tastes. Dostoevski liked it with raspberry syrup.’
‘Pah,’ uttered Ada. (1.5)
Darkbloom ('Notes to Ada'): with a slight smile: a pet formula of Tolstoy’s denoting cool superiority, if not smugness, in a character’s manner of speech.