Revisiting Ramsdale in September 1952, Humbert Humbert (the narrator and main character in VN’s novel Lolita, 1955) has an appointment with Mr. Windmuller, the lawyer:
There were only two blocks to Windmuller’s office. He greeted me with a very slow, very enveloping, strong, searching grip. He thought I was in California. Had I not lived at one time at Beardsley? His daughter had just entered Beardsley College. And how was – ? I gave all necessary information about Mrs. Schiller. We had a pleasant business conference. I walked out into the hot September sunshine a contented pauper. (2.33)
In his Foreword to Humbert’s manuscript John Ray, Jr. mentions Mr. “Windmuller,” of “Ramsdale,” and his daughter “Louise” (Lolita’s former classmate):
“Lolita, or the Confession of a White Widowed Male,” such were the two titles under which the writer of the present note received the strange pages it preambulates. “Humbert Humbert,” their author, had died in legal captivity, of coronary thrombosis, on November 16, 1952, a few days before his trial was scheduled to start. His lawyer, my good friend and relation, Clarence Choate Clark, Esq., now of the District of Columbia bar, in asking me to edit the manuscript, based his request on a clause in his client’s will which empowered my eminent cousin to use the discretion in all matters pertaining to the preparation of “Lolita” for print. Mr. Clark’s decision may have been influenced by the fact that the editor of his choice had just been awarded the Poling Prize for a modest work (“Do the Senses make Sense?”) wherein certain morbid states and perversions had been discussed.
My task proved simpler than either of us had anticipated. Save for the correction of obvious solecisms and a careful suppression of a few tenacious details that despite “H. H.”‘s own efforts still subsisted in his text as signposts and tombstones (indicative of places or persons that taste would conceal and compassion spare), this remarkable memoir is presented intact. Its author’s bizarre cognomen is his own invention; and, of course, this mask - through which two hypnotic eyes seem to glow - had to remain unlifted in accordance with its wearer’s wish. While “Haze” only rhymes with the heroine’s real surname, her first name is too closely interwound with the inmost fiber of the book to allow one to alter it; nor (as the reader will perceive for himself) is there any practical necessity to do so. References to “H. H.”‘s crime may be looked up by the inquisitive in the daily papers for September-October 1952; its cause and purpose would have continued to come under my reading lamp.
For the benefit of old-fashioned readers who wish to follow the destinies of “real” people beyond the “true” story, a few details may be given as received from Mr. “Windmuller,” of “Ramsdale,” who desires his identity suppressed so that “the long shadows of this sorry and sordid business” should not reach the community to which he is proud to belong. His daughter, “Louise,” is by now a college sophomore. “Mona Dahl” is a student in Paris. “Rita” has recently married the proprietor of a hotel in Florida. Mrs. “Richard F. Schiller” died in childbed, giving birth to a stillborn girl, on Christmas Day 1952, in Gray Star, a settlement in the remotest Northwest. ‘Vivian Darkbloom’ has written a biography, ‘My Cue,’ to be published shortly, and critics who have perused the manuscript call it her best book. The caretakers of the various cemeteries involved report that no ghosts walk.
The surname Windmuller seems to hint at Don Quixote’s fight with the windmills, one of the most famous episodes in Cervantes’ Don Quixote. John Ray's good friend and relation, Clarence Choate Clark, Esq., brings to mind J. W. Clark (an English academic and antiquarian, 1833-1910), the editor of a well-known 19th-century edition of The History of Don Quixote, and J. H. Clark (a Scottish aquatint engraver and landscape painter, c. 1771-1863) who created aquatint illustrations for Don Quixote. According to Humbert, his father read to him Don Quixote and Les Miserables:
I grew, a happy, healthy child in a bright would of illustrated books, clean sand, orange trees, friendly dogs, sea vistas and smiling faces. Around me the splendid Hotel Mirana revolved as a kind of private universe, a whitewashed cosmos within the blue greater one that blazed outside. From the aproned pot-scrubber to the flanneled potentate, everybody liked me, everybody petted me. Elderly American ladies leaning on their canes listed towards me like towers of Pisa. Ruined Russian princesses who could not pay my father, bought me expensive bonbons. He, mon cher petit papa, took me out boating and biking, taught me to swim and dive and water-ski, read to me Don Quixote and Les Miserables, and I adored and respected him and felt glad for him whenever I overheard the servants discuss his various lady-friends, beautiful and kind beings who made much of me and cooed and shed precious tears over my cheerful motherlessness. (1.2)
Describing his life with Charlotte (Lolita’s mother) in Ramsdale, Humbert mentions Miss Phalen and her sister:
The Humberts walked on, sandaled and robed.
“Do you know, Hum: I have one most ambitious dream,” pronounced Lady Hum, lowering her head - shy of that dream – and communing with the tawny ground. “I would love to get hold of a real trained servant maid like that German girl the Talbots spoke of; and have her live in the house.”
“No room,” I said.
“Come,” she said with her quizzical smile, “surely, chéri, you underestimate the possibilities of the Humbert home. We would put her in Lo’s room. I intended to make a guestroom of that hole anyway. It’s the coldest and meanest in the whole house.”
“What are you talking about?” I asked, the skin of my cheekbones tensing up (this I take the trouble to note only because my daughter’s skin did the same when she felt that way: disbelief, disgust, irritation).
“Are you bothered by Romantic Associations?” queried my wife – in allusion to her first surrender.
“Hell no,” said I. “I just wonder where will you put your daughter when you get your guest or your maid.”
“Ah,” said Mrs. Humbert, dreaming, smiling, drawing out the “Ah” simultaneously with the raise of one eyebrow and a soft exhalation of breath. “Little Lo, I’m afraid, does not enter the picture at all, at all. Little Lo goes straight from camp to a good boarding school with strict discipline and some sound religious training. And then – Beardsley College. I have it all mapped out, you need not worry.”
She went on to say that she, Mrs. Humbert, would have to overcome her habitual sloth and write to Miss Phalen’s sister who taught at St. Algebra. The dazzling lake emerged. I said I had forgotten my sunglasses in the car and would catch up with her. (1.20)
My habit of being silent when displeased or, more exactly, the cold and scaly quality of my displeased silence, used to frighten Valeria out of her wits. She used to whimper and wail, saying “Ce qui me rend folle, c’est que je ne sais à quoi tu penses quand tu es comme ça.” I tried being silent with Charlotte - and she just chirped on, or chucked my silence under the chin. An astonishing woman! I would retire to my former room, now a regular “studio,” mumbling I had after all a learned opus to write, and cheerfully Charlotte went on beautifying the home, warbling on the telephone and writing letters. From my window, through the lacquered shiver of poplar leaves, I could see her crossing the street and contentedly mailing her letter to Miss Phalen’s sister. (1.21)
I think it was exactly a week after our last swim that the noon mail brought a reply from the second Miss Phalen. The lady wrote she had just returned to St. Algebra from her sister’s funeral. “Euphemia had never been the same after breaking that hip.” As to the matter of Mrs. Humbert’s daughter, she wished to report that it was too late to enroll her this year; but that she, the surviving Phalen, was practically certain that if Mr. and Mrs. Humbert brought Dolores over in January, her admittance might be arranged. (1.22)
Euphemia (1790) is an epistolary novel by Charlotte Lennox (née Ramsay, a Scottish writer, 1730-1804), the author of The Female Quixote (1752). It seems that the Ramsday lawyer, Mr. Windmuller, and Clarence Choate Clark, Esq., now of the District of Columbia bar, are one and the same person. This means that Humbert Humbert and the author of the Foreword to his manuscript, John Ray, Jr., are one and the same person, too.