In his little pocket diary that he kept in Ramsdale as Charlotte's lodger, Humbert Humbert (the narrator and main character in VN's novel Lolita, 1955) says that, before moving to Ramsdale, Lolita and her mother Charlotte lived in Pisky, the Haze home town in the Middle West:
She had been spiteful, if you please, at the age of one, when she used to throw her toys out of her crib so that her poor mother should keep picking them up, the villainous infant! Now, at twelve, she was a regular pest, said Haze. All she wanted from life was to be one day a strutting and prancing baton twirler or a jitterbug. Her grades were poor, but she was better adjusted in her new school than in Pisky (Pisky was the Haze home town in the Middle West. The Ramsdale house was her late mother-in-law’s. They had moved to Ramsdale less than two years ago). “Why was she unhappy there?” “Oh,” said Haze, “poor me should know, I went through that when I was a kid: boys twisting one’s arm, banging into one with loads of books, pulling one’s hair, hurting one’s breasts, flipping one’s skirt. Of course, moodiness is a common concomitant of growing up, but Lo exaggerates. Sullen and evasive. Rude and defiant. Struck Viola, an Italian schoolmate, in the seat with a fountain pen. Know what I would like? If you, monsieur, happened to be still here in the fall, I’d ask you to help her with her homework - you seem to know everything, geography, mathematics, French.” “Oh, everything,” answered monsieur. “That means,” said Haze quickly, “you’ll be here!” I wanted to shout that I would stay on eternally if only I could hope to caress now and then my incipient pupil. But I was wary of Haze. So I just grunted and stretched my limbs nonconcomitantly (le mot juste) and presently went up to my room. The woman, however, was evidently not prepared to call it a day. I was already lying upon my cold bed both hands pressing to my face Lolita’s fragrant ghost when I heard my indefatigable landlady creeping stealthily up to my door to whisper through itjust to make sure, she said, I was through with the Glance and Gulp magazine I had borrowed the other day. From her room Lo yelled she had it. We are quite a lending library in this house, thunder of God. (1.11)
Lolita was born on January 1, 1935, in Pisky. The name of Lolita's home town, Pisky seems to hint at Pisces, a constellation of Babylonian origin. The Babylonians saw it as a pair of fish joined by a cord. The constellation is usually associated with the Roman myth of Venus and Cupid, who tied themselves with a rope and transformed into fish to escape the monster Typhon. Pisces is the twelfth and final astrological sign in the zodiac. Pod znakom Ryb ("Under the Sign of Pisces," 1905) is a poem by Vyacheslav Ivanov (a Russian Symbolist poet, philosopher, and critic, 1866-1949) included in his collection Cor ardens (1911-1912):
При заревах, в годину гнева,
Из напоенных кровью глыб
Пророс росток святого древа
На звездный зов заветных Рыб.
Росток младенческий, приземный!
Орлов ютить ты будешь в день,
Как над страной не-подьяремной
Могучую раздвинешь сень.
Расти ж! Тебя не скосят люди,
Не истребят премены дней;
Не вырвать из родимой груди
Ничьей руке твоих корней!
Тебя земли вскормила воля,
Вспоила жертвенная кровь;
Твой стражный полк, мирского поля
Вся в копьях — колосится новь.
Pri zarevakh, v godinu gneva (By the blazes, in the year of wrath), the first line of Vycheslav Ivanov's poem, brings to mind Gaston Godin, Humbert Humbert's friend and chess partner at Beardsley:
A word about Gaston Godin. The main reason why I enjoyed - or at least tolerated with relief - his company was the spell of absolute security that his ample person cast on my secret. Not that he knew it; I had no special reason to confide in him, and he was much too self-centered and abstract to notice or suspect anything that might lead to a frank question on his part and a frank answer on mine. He spoke well of me to Beardsleyans, he was my good herald. Had he discovered mes goûts and Lolita’s status, it would have interested him only insofar as throwing some light on the simplicity of my attitude towards him, which attitude was as free of polite strain as it was of ribald allusions; for despite his colorless mind and dim memory, he was perhaps aware that I knew more about him than the burghers of Beardsley did. He was a flabby, dough-faced, melancholy bachelor tapering upward to a pair of narrow, not quite level shoulders and a conical pear-head which had sleek black hair on one side and only a few plastered wisps on the other. But the lower part of his body was enormous, and he ambulated with a curious elephantine stealth by means of phenomentally stout legs. He always wore black, even his tie was black; he seldom bathed; his English was a burlesque. And, nonetheless, everybody considered him to be a supremely lovable, lovably freakish fellow! Neighbors pampered him; he knew by name all the small boys in our vicinity (he lived a few blocks away from me)and had some of them clean his sidewalk and burn leaves in his back yard, and bring wood from his shed, and even perform simple chores about the house, and he would feed them fancy chocolates, with real liqueurs inside - in the privacy of an orientally furnished den in his basement, with amusing daggers and pistols arrayed on the moldy, rug-adorned walls among the camouflaged hot-water pipes. Upstairs he had a studiohe painted a little, the old fraud. He had decorated its sloping wall (it was really not more than a garret) with large photographs of pensive André Gide, Tchaikovsky, Norman Douglas, two other well-known English writers, Nijinsky (all thighs and fig leaves), Harold D. Doublename (a misty-eyed left-wing professor at a Midwestern university) and Marcel Proust. All these poor people seemed about to fall on you from their inclined plane. He had also an album with snapshots of all the Jackies and Dickies of the neighborhood, and when I happened to thumb through it and make some casual remark, Gaston would purse his fat lips and murmur with a wistful pout “Oui, ils sont gentils. ” His brown eyes would roam around the various sentimental and artistic bric-a-brac present, and his own banal toiles (the conventionally primitive eyes, sliced guitars, blue nipples and geometrical designs of the day), and with a vague gesture toward a painted wooden bowl or veined vase, he would say “Prenez donc une de ces poires. La bonne dame d’en face m’en offre plus que je n’en peux savourer. ” Or: “Mississe Taille Lore vient de me donner ces dahlias, belles fleurs que j’exècre .” (Somber, sad, full of world-weariness.)
For obvious reasons, I preferred my house to his for the games of chess we had two or three times weekly. He looked like some old battered idol as he sat with his pudgy hands in his lap and stared at the board as if it were a corpse. Wheezing he would mediate for ten minutes - then make a losing move. Or the good man, after even more thought, might utter: Au roi! With a slow old-dog woof that had a gargling sound at the back of it which made his jowls wabble; and then he would lift his circumflex eyebrows with a deep sigh as I pointed out to him that he was in check himself.
Sometimes, from where we sat in my cold study I could hear Lo’s bare feet practicing dance techniques in the living room downstairs; but Gaston’s outgoing senses were comfortably dulled, and he remained unaware of those naked rhythms - and-one, and-two, and-one, and-two, weight transferred on a straight right leg, leg up and out to the side, and-one, and-two, and only when she started jumping, opening her legs at the height of the jump, and flexing one leg, and extending the other, and flying, and landing on her toes - only then did my pale, pompous, morose opponent rub his head or cheek as if confusing those distant thuds with the awful stabs of my formidable Queen.
Sometimes Lola would slouch in while we pondered the board - and it was every time a treat to see Gaston, his elephant eye still fixed on his pieces, ceremoniously rise to shake hands with her, and forthwith release her limp fingers, and without looking once at her, descend again into his chair to topple into the trap I had laid for him. One day around Christmas, after I had not seen him for a fortnight or so, he asked me “Et toutes vos fillettes, elles vont bien?” from which it became evident to me that he had multiplied my unique Lolita by the number of sartorial categories his downcast moody eye had glimpsed during a whole series of her appearances: blue jeans, a skirt, shorts, a quilted robe.
I am loath to dwell so long on the poor fellow (sadly enough, a year later, during a voyage to Europe, from which he did not return, he got involved in a sale histoire, in Naples of all places!). I would have hardly alluded to him at all had not his Beardsley existence had such a queer bearing on my case. I need him for my defense. There he was devoid of any talent whatsoever, a mediocre teacher, a worthless scholar, a glum repulsive fat old invert, highly contemptuous of the American way of life, triumphantly ignorant of the English language - there he was in priggish New England, crooned over by the old and caressed by the young - oh, having a grand time and fooling everybody; and here was I. (2.6)
According to Humbert Humbert, Gaston Godin got involved in a sale histoire, in Naples of all places. Une sale histoire is the French title of Fyodor Dostoevski's story Skvernyi anekdot ("A Nasty Story," 1862). Dostoevskiy i roman-tragediya (“Dostoevski and the Novel-Tragedy”) is the first essay in Vyacheslav Ivanov’s book Borozdy i mezhi (“Furrows and Boundaries,” 1916). In his essay on Dostoevski, Vyacheslav Ivanov quotes the lines from Friedrich Schiller’s poem Das Eleusische Fest (“The Eleusinian Festival,” 1798) quoted by Dostoevski (in Zhukovski’s translation) in Brothers Karamazov (1880):
Чтоб из низости душою
Могъ подняться человек,
С древней матерью Землёю
Он вступи в союз навек.
So that a man a man may be,
Let him make an endless bond
With the kind earth trustingly,
Who is ever good and fond.
Dick Schiller is the name of Lolita's husband. According to John Ray, Jr., Mrs. “Richard F. Schiller” outlived Humbert Humbert (who had died in legal captivity, of coronary thrombosis, on November 16, 1952, a few days before his trial was scheduled to start) by forty days and died in childbed, giving birth to a stillborn girl, on Christmas Day 1952, in Gray Star, a settlement in the remotest Northwest:
For the benefit of old-fashioned readers who wish to follow the destinies of “real” people beyond the “true” story, a few details may be given as received from Mr. “Windmuller,” of “Ramsdale,” who desires his identity suppressed so that “the long shadows of this sorry and sordid business” should not reach the community to which he is proud to belong. His daughter, “Louise,” is by now a college sophomore. “Mona Dahl” is a student in Paris. “Rita” has recently married the proprietor of a hotel in Florida. Mrs. “Richard F. Schiller” died in childbed, giving birth to a stillborn girl, on Christmas Day 1952, in Gray Star, a settlement in the remotest Northwest. ‘Vivian Darkbloom’ has written a biography, ‘My Cue,’ to be published shortly, and critics who have perused the manuscript call it her best book. The caretakers of the various cemeteries involved report that no ghosts walk.
But it seems that, actually, Lolita dies of ague in the Elphinstone hospital on July 4, 1949, and everything what happens after her sudden death (Lolita's escape from the hospital, Humbert's affair with Rita, Lolita's marriage and pregnancy, and the murder of Clare Quilty) was invented by Humbert Humbert (whose "real" name is John Ray, Jr.).