In his foreword to Shade's poem Kinbote (in VN’s novel Pale Fire, 1962, Shade’s mad commentator who imagines that he is Charles the Beloved, the last self-exiled king of Zembla) mentions a person (Shade's former literary agent) who has wondered with a sneer if Mrs. Shade's tremulous signature might not have been penned "in some peculiar kind of red ink:"
In my notes to the poem the reader will find these canceled readings. Their places are indicated, or at least suggested, by the draftings of established lines in their immediate neighborhood. In a sense, many of them are more valuable artistically and historically than some of the best passages in the final text. I must now explain how Pale Fire came to be edited by me.
Immediately after my dear friend's death I prevailed on his distraught widow to forelay and defeat the commercial passions and academic intrigues that were bound to come swirling around her husband's manuscript (transferred by me to a safe spot even before his body had reached the grave) by signing an agreement to the effect that he had turned over the manuscript to me; that I would have it published, without delay, with my commentary by a firm of my choice; that all profits, except the publisher's percentage, would accrue to her; and that on publication day the manuscript would be handed over to the Library of Congress for permanent preservation. I defy any serious critic to find this contract unfair. Nevertheless, it has been called (by Shade's former lawyer) "a fantastic farrago of evil," while another person (his former literary agent) has wondered with a sneer if Mrs. Shade's tremulous signature might not have been penned "in some peculiar kind of red ink." Such hearts, such brains, would be unable to comprehend that one's attachment to a masterpiece may be utterly overwhelming, especially when it is the underside of the weave that entrances the beholder and only begetter, whose own past intercoils there with the fate of the innocent author.
By "some peculiar kind of red ink" the person mentioned by Kinbote certainly meant blood. In Conan Doyle's novel A Study in Scarlet (1887), featuring the private detective Sherlock Holmes, Jefferson Hope (the murderer whose nose bled from the excitement) used his blood to write up the German word RACHE (revenge) on the wall of an abandoned building on Brixton Road. In Conan Doyle's novel The Sign of the Four (1890) a small cross on a plan is done in red ink:
Holmes unfolded the paper carefully and smoothed it out upon his knee. He then very methodically examined it all over with his double lens.
“It is paper of native Indian manufacture,” he remarked. “It has at some time been pinned to a board. The diagram upon it appears to be a plan of part of a large building with numerous halls, corridors, and passages. At one point is a small cross done in red ink, and above it is ‘3.37 from left,' in faded pencil-writing. In the left-hand corner is a curious hieroglyphic like four crosses in a line with their arms touching. Beside it is written, in very rough and coarse characters, ‘The sign of the four,—Jonathan Small, Mahomet Singh, Abdullah Khan, Dost Akbar.' No, I confess that I do not see how this bears upon the matter. Yet it is evidently a document of importance. It has been kept carefully in a pocket-book; for the one side is as clean as the other.” (Chapter III "In Quest of a Solution")
The plan in Conan Doyle's novel brings to mind Kinbote's handsomely drawn plan of the Onhava Palace:
Her he remembered - more or less: a horsewoman, tall, broad, stout, ruddy-faced. She had been assured by a royal cousin that her son would be safe and happy under the tutelage of admirable Mr. Campbell who had taught several dutiful little princesses to spread butterflies and enjoy Lord Ronald's Coronach. He had immolated his life, so to speak, at the portable altars of a vast number of hobbies, from the study of book mites to bear hunting, and could reel off Macbeth from beginning to end during hikes; but he did not give a damn for his charges' morals, preferred ladies to laddies, and did not meddle in the complexities of Zemblan ingledom. He left, for some exotic court, after a ten-year stay, in 1932 when our Prince, aged seventeen, had begun dividing his time between the University and his regiment. It was the nicest period in his life. He never could decide what he enjoyed more: the study of poetry - especially English poetry - or attending parades, or dancing in masquerades with boy-girls and girl-boys. His mother died suddenly on July 21, 1936, from an obscure blood ailment that had also afflicted her mother and grandmother. She had been much better on the day before - and Charles Xavier had gone to an all-night ball in the so-called Ducal Dome in Grindelwood: for the nonce, a formal heterosexual affair, rather refreshing after some previous sport. At about four in the morning, with the sun enflaming the tree crests and Mt. Falk, a pink cone, the King stopped his powerful car at one of the gates of the palace. The air was so delicate, the light so lyrical, that he and the three friends he had with him decided to walk through the linden bosquet the rest of the distance to the Pavonian Pavilion where guests were lodged. He and Otar, a platonic pal, wore tails but they had lost their top hats to the highway winds. A strange something struck all four of them as they stood under the young limes in the prim landscape of scarp and counterscarp fortified by shadow and countershadow. Otar, a pleasant and cultured adeling with a tremendous nose and sparse hair, had his two mistresses with him, eighteen-year-old Fifalda (whom he later married) and seventeen-year-old Fleur (whom we shall meet in two other notes), daughters of Countess de Fyler, the Queen's favorite lady in waiting. One involuntarily lingers over that picture, as one does when standing at a vantage point of time and knowing in retrospect that in a moment one's life would undergo a complete change. So here was Otar, looking with a puzzled expression at the distant window's of the Queen's quarters, and there were the two girls, side by side, thin-legged, in shimmering wraps, their kitten noses pink, their eyes green and sleepy, their earrings catching and loosing the fire of the sun. There were a few people around, as there always were, no matter the hour, at this gate, along which a road, connecting with the eastern highway, ran. A peasant woman with a small cake she had baked, doubtlessly the mother of the sentinel who had not yet come to relieve the unshaven dark young nattdett (child of night) in his dreary sentry box, sat on a spur stone watching in feminine fascination the luciola-like tapers that moved from window to window; two workmen, holding their bicycles, stood staring too at those strange lights; and a drunk with a walrus mustache kept staggering around and patting the trunks of the lindens. One picks up minor items at such slowdowns of life. The King noticed that some reddish mud flecked the frames of the two bicycles and that their front wheels were both turned in the same direction, parallel to one another. Suddenly, down a steep path among the lilac bushes - a short cut from the Queen's quarters - the Countess came running and tripping over the hem of her quilted robe, and at the same moment, from another side of the palace, all seven councilors, dressed in their formal splendor and carrying like plum cakes replicas of various regalia, came striding down the stairs of stone, in dignified haste, but she beat them by one alin and spat out the news. The drunk started to sing a ribald ballad about "Karlie-Garlie" and fell into the demilune ditch. It is not easy to describe lucidly in short notes to a poem the various approaches to a fortified castle, and so, in my awareness of this problem, I prepared for John Shade, some time in June, when narrating to him the events briefly noticed in some of my comments (see note to line 130, for example), a rather handsomely drawn plan of the chambers, terraces, bastions and pleasure grounds of the Onhava Palace. Unless it has been destroyed or stolen, this careful picture in colored inks on a large (thirty by twenty inches) piece of cardboard might still be where I last saw it in mid-July, on the top of the big black trunk, opposite the old mangle, in a niche of the little corridor leading to the so-called fruit room. If it is not there, it might be looked for in his upper-floor study. I have written about this to Mrs. Shade but she does not reply to my letters. In case it still exists, I wish to beg her, without raising my voice, and very humbly, as humbly as the lowliest of the King's subjects might plead for an immediate restitution of his rights (the plan is mine and is clearly signed with a black chess-king crown after "Kinbote"), to send it, well packed, marked not to be bent on the wrapper, and by registered mail, to my publisher for reproduction in later editions of this work. Whatever energy I possessed has quite ebbed away lately, and these excruciating headaches now make impossible the mnemonic effort and eye strain that the drawing of another such plan would demand. The black trunk stands on another brown or brownish even larger one, and there is I think a stuffed fox or coyote next to them in their dark corner. (note to Line 71)
According to Kinbote, Queen Blenda (the mother of Charles the Beloved) died suddenly on July 21, 1936, from an obscure blood ailment. Shade is killed by Gradus on the evening of July 21, 1959 (exactly thirteen years, day for day, after Queen Blenda's death). On 13 July 1930 the Spiritualist Association rented the Royal Albert Hall for a séance for Sir Arthur Conan Doyle, following the death of the Sherlock author on 7 July. Time Magazine, who attended the séance, reported:
'Mrs. Estelle Roberts, clairvoyant, took the stage. She declared five spirits were “pushing” her. She cried out their messages. Persons in the audience confirmed their validity. Suddenly Mrs. Roberts looked at Sir Arthur’s empty chair, cried: “He is here.”
Lady Doyle stood up. The clairvoyant’s eyes moved as though accompanying a person who was approaching her. “He is wearing evening clothes,” she murmured. She inclined her head to listen. A silent moment. Her head jerked up. She stared at Lady Doyle, shivered, ran to the widow, whispered.
Persons nearby could hear: “Sir Arthur told me that one of you went into the hut [on the Doyle estate] this morning. Is that correct?” Lady Doyle, faltering: “Why, yes.” She beamed. Her eyes opened widely.
The clairvoyant to Lady Doyle: “The message is this. Tell Mary [eldest daughter]…’
Time Magazine, 21 July 1930
"Although I have not spoken to Arthur since he passed, I am certain that in his own time and his own way he will send a message to us."
Lady Doyle - Time Magazine, 21 July 1930
Investigating the phenomena in the Haunted Barn, Hazel Shade (the poet's daughter) tried to decipher a message from Shade's Aunt Maud:
Jane allowed me to copy out some of Hazel's notes from a typescript based on jottings made on the spot:
10:14 P.M. Investigation commenced.
10:23. Scrappy and scrabbly sounds.
10:25. A roundlet of pale light, the size of a small doily, flitted across the dark walls, the boarded windows, and the floor; changed its place; lingered here and there, dancing up and down; seemed to wait in teasing play for evadable pounce. Gone.
10:37. Back again.
The notes continue for several pages but for obvious reasons I must renounce to give them verbatim in this commentary. There were long pauses and "scratches and scrapings" again, and returns of the luminous circlet. She spoke to it. If asked something that it found deliciously silly ("Are you a will-o-the-wisp?") it would dash to and fro in ecstatic negation, and when it wanted to give a grave answer to a grave question ("Are you dead?") would slowly ascend with an air of gathering altitude for a weighty affirmative drop. For brief periods of time it responded to the alphabet she recited by staying put until the right letter was called whereupon it gave a small jump of approval. But these jumps would get more and more listless, and after a couple of words had been slowly spelled out, the roundlet went limp like a tired child and finally crawled into a chink; out of which it suddenly flew with extravagant brio and started to spin around the walls in its eagerness to resume the game. The jumble of broken words and meaningless syllables which she managed at last to collect came out in her dutiful notes as a short line of simple letter-groups. I transcribe:
pada ata lane pad not ogo old wart alan ther tale feur far rant lant tal told.
In her Remarks, the recorder states she had to recite the alphabet, or at least begin to recite it (there is a merciful preponderance of a's) eighty times, but of these seventeen yielded no results. Divisions based on such variable intervals cannot be but rather arbitrary; some of the balderdash may be recombined into other lexical units making no better sense (e. g., "war,""talant," ”her," "arrant," etc.). The barn ghost seems to have expressed himself with the empasted difficulty of apoplexy or of a half-awakening from a half-dream slashed by a sword of light on the ceiling, a military disaster with cosmic consequences that cannot be phrased distinctly by the thick unwilling tongue. And in this case we too might wish to cut short a reader's or bedfellow's questions by sinking back into oblivion's bliss - had not a diabolical force urged us to seek a secret design in the abracadabra,
812 Some kind of link-and-bobolink, some kind
813 Of correlated pattern in the game.
I abhor such games; they make my temples throb with abominable pain - but I have braved it and pored endlessly, with a commentator's infinite patience and disgust, over the crippled syllables in Hazel's report to find the least allusion to the poor girl's fate. Not one hint did I find. Neither old Hentzner's specter, nor an ambushed scamp's toy flashlight, nor her own imaginative hysteria, expresses anything here that might be construed, however remotely, as containing a warning; or having some bearing on the circumstances of her soon-coming death. (note to Line 347)
At the beginning of The Sign of the Four Holmes tells Watson that he abhors the dull routine of existence:
"My mind," he said, "rebels at stagnation. Give me problems, give me work, give me the most abstruse cryptogram or the most intricate analysis, and I am in my own proper atmosphere. I can dispense then with artificial stimulants. But I abhor the dull routine of existence. I crave for mental exaltation. That is why I have chosen my own particular profession, — or rather created it, for I am the only one in the world." (Chapter One "The Science of Deduction")