In Canto Two of his poem John Shade (the poet in VN’s novel Pale Fire, 1962) speaks of his dead daughter and says that she had strange fears, strange fantasies, strange force of character:
She had strange fears, strange fantasies, strange force
Of character - as when she spent three nights
Investigating certain sounds and lights
In an old barn. She twisted words: pot, top,
Spider, redips. And "powder" was "red wop."
She called you a didactic katydid.
She hardly ever smiled, and when she did,
It was a sign of pain. She'd criticize
Ferociously our projects, and with eyes
Expressionless sit on her tumbled bed
Spreading her swollen feet, scratching her head
With psoriatic fingernails, and moan,
Murmuring dreadful words in monotone. (ll.344-356)
According to Kinbote (Shade’s mad commentator who imagines that he is Charles the Beloved, the last self-exiled king of Zembla), it was he who observed one day that “spider” in reverse is “redips” and “T.S. Eliot,” “toilest:”
One of the examples her father gives is odd. I am quite sure it was I who one day, when we were discussing "mirror words," observed (and I recall the poet's expression of stupefaction) that "spider" in reverse is "redips," and "T.S. Eliot," "toilest." But then it is also true that Hazel Shade resembled me in certain respects. (note to Lines 347-348)
Toilest is the archaic second-person singular simple present indicative of toil. In his Sonnet VII ("The strong man’s hand, the snow-cool head of age") R. L. Stevenson (the author of Strange Case of Dr Jekyll and Mr Hyde, 1886) mentions the narrowing toil and strange fear:
The strong man’s hand, the snow-cool head of age,
The certain-footed sympathies of youth—
These, and that lofty passion after truth,
Hunger unsatisfied in priest or sage
Or the great men of former years, he needs
That not unworthily would dare to sing
(Hard task!) black care’s inevitable ring
Settling with years upon the heart that feeds
Incessantly on glory. Year by year
The narrowing toil grows closer round his feet;
With disenchanting touch rude-handed time
The unlovely web discloses, and strange fear
Leads him at last to eld’s inclement seat,
The bitter north of life—a frozen clime.
"The bitter north of life" in the sonnet's last line brings to mind "Zembla, a distant northern land" (the last entry in Kinbote's Index). "A frozen clime" makes one think of "the svelte stilettos of a frozen stillicide" (as in Canto One of his poem Shade calls icicles):
All colors made me happy: even gray.
My eyes were such that literally they
Took photographs. Whenever I'd permit,
Or, with a silent shiver, order it,
Whatever in my field of vision dwelt -
An indoor scene, hickory leaves, the svelte
Stilettos of a frozen stillicide -
Was printed on my eyelids' nether side
Where it would tarry for an hour or two,
And while this lasted all I had to do
Was close my eyes to reproduce the leaves,
Or indoor scene, or trophies of the eaves. (ll. 29-40)
In his essay An Apology for Idlers (1877) R. L. Stevenson (who studied law) says "I still remember that Emphyteusis is not a disease, nor Stillicide a crime:"
4 If you look back on your own education, I am sure it will not be the full, vivid, instructive hours of truancy that you regret; you would rather cancel some lacklustre periods between sleep and waking in the class. For my own part, I have attended a good many lectures in my time. I still remember that the spinning of a top is a case of Kinetic Stability. I still remember that Emphyteusis is not a disease, nor Stillicide a crime. But though I would not willingly part with such scraps of science, I do not set the same store by them as by certain other odds and ends that I came by in the open street while I was playing truant.
Describing his first meeting with Shade, Kinbote repeats the word "crime" twice:
A few days later, however, namely on Monday, February 16, I was introduced to the old poet at lunch time in the faculty club. "At last presented credentials," as noted, a little ironically, in my agenda. I was invited to join him and four or five other eminent professors at his usual table, under an enlarged photograph of Wordsmith College as it was, stunned and shabby, on a remarkably gloomy summer day in 1903. His laconic suggestion that I "try the pork" amused me. I am a strict vegetarian, and I like to cook my own meals. Consuming something that had been handled by a fellow creature was, I explained to the rubicund convives, as repulsive to me as eating any creature, and that would include - lowering my voice - the pulpous pony-tailed girl student who served us and licked her pencil. Moreover, I had already finished the fruit brought with me in my briefcase, so I would content myself, I said, with a bottle of good college ale. My free and simple demeanor set everybody at ease. The usual questionsmere fired at me about eggnogs and milkshakes being or not being acceptable to one of my persuasion. Shade said that with him it was the other way around: he must make a definite effort to partake of a vegetable. Beginning a salad, was to him like stepping into sea water on a chilly day, and he had always to brace himself in order to attack the fortress of an apple. I was not yet used to the rather fatiguing jesting and teasing that goes on among American intellectuals of the inbreeding academic type and so abstained from telling John Shade in front of all those grinning old males how much I admired his work lest a serious discussion of literature degenerate into mere facetiation. Instead I asked him about one of my newly acquired students who also attended his course, a moody, delicate, rather wonderful boy; but with a resolute shake of his hoary forelock the old poet answered that he had ceased long ago to memorize faces and names of students and that the only person in his poetry class whom he could visualize was an extramural lady on crutches. "Come, come," said Professor Hurley, "do you mean, John, you really don't have a mental or visceral picture of that stunning blonde in the black leotard who haunts Lit. 202?" Shade, all his wrinkles beaming, benignly tapped Hurley on the wrist to make him stop. Another tormentor inquired if it was true that I had installed two ping-pong tables in my basement. I asked, was it a crime? No, he said, but why two? "Is that a crime?" I countered, and they all laughed. (Foreword)
In his Commentary to Shade's poem Kinbote mentions a candidate for his third ping-pong table:
Namely, July 5, 1959, 6th Sunday after Trinity. Shade began writing Canto Two "early in the morning" (thus noted at the top of card 14). He continued (down to line 208) on and off throughout the day. Most of the evening and a part of the night were devoted to what his favorite eighteenth-century writers have termed "the Bustle and Vanity of the World." After the last guest had gone (on a bicycle), and the ashtrays had been emptied, all the windows were dark for a couple of hours; but then, at about 3 A. M., I saw from my upstairs bathroom that the poet had gone back to his desk in the lilac light of his den, and this nocturnal session brought the canto to line 230 (card 18). On another trip to the bathroom an hour and a half later, at sunrise, I found the light transferred to the bedroom, and smiled indulgently, for, according to my deductions, only two nights had passed since the three-thousand-nine-hundred-ninety-ninth time - but no matter. A few minutes later all was solid darkness again, and I went back to bed.
On July 5th, at noontime, in the other hemisphere, on the rain-swept tarmac of the Onhava airfield, Gradus, holding a French passport, walked toward a Russian commercial plane bound for Copenhagen, and this event synchronized with Shade's starting in the early morning (Atlantic seaboard time) to compose, or to set down after composing in bed, the opening lines of Canto Two. When almost twenty-four hours later he got to line 230, Gradus, after a refreshing night at the summer house of our consul in Copenhagen, an important Shadow, had entered, with the Shadow, a clothes store in order to conform to his description in later notes (to lines 286 and 408). Migraine again worse today.
As to my own activities, they were I am afraid most unsatisfactory from all points of view - emotional, creative, and social. That jinxy streak had started on the eve when I had been kind enough to offer a young friend - a candidate for my third ping-pong table who after a sensational series of traffic violations had been deprived of his driving license - to take him, in my powerful Kramler, all the way to his parents' estate, a little matter of two hundred miles. In the course of an all-night party among crowds of strangers - young people, old people, cloyingly perfumed girls - in an atmosphere of fireworks, barbecue smoke, horseplay, jazz music, and auroral swimming, I lost all contact with the silly boy, was made to dance, was made to sing, got involved in the most boring bibble-babble imaginable with various relatives of the child, and finally, in some inconceivable manner, found myself transported to a different party on a different estate, where, after some indescribable parlor games, in which my beard was nearly snipped off, I had a fruit-and-rice breakfast and was taken by my anonymous host, a drunken old fool in tuxedo and riding breeches, on a stumbling round of his stables. Upon locating my car (off the road, in a pine grove), I tossed out of the driver's seat a pair of soggy swimming trunks and a girl's silver slipper. The brakes had aged overnight, and I soon ran out of gas on a desolate stretch of road. Six o'clock was being chimed by the clocks of Wordsmith College, when I reached Arcady, swearing to myself never to be caught like that again and innocently looking forward to the solace of a quiet evening with my poet. Only when I saw the beribboned flat carton I had placed on a chair in my hallway did I realize that I had almost missed his birthday. (note to Line 181: Today)
Shade's birthday, July 5, is also Kinbote’s and Gradus’ birthday (while Shade was born in 1898, Kinbote and Gradus were born in 1915). The poet Shade, his commentator Kinbote and his murderer Gradus seem to represent three different aspects of one and the same person whose "real" name is Botkin. An American scholar of Russian descent, Professor Vsevolod Botkin went mad and became Shade, Kinbote and Gradus after the tragic death of his daughter Nadezhda (Hazel Shade’s “real” name). Nadezhda means “hope.” There is a hope that, when Kinbote completes his work on Shade’s poem and commits suicide (on October 19, 1959, the anniversary of Pushkin's Lyceum), Botkin, like Count Vorontsov (a target of Pushkin's epigrams, "half-milord, half-merchant, etc."), will be full again.
Shade's poem is almost finished when the author is killed by Gradus. Kinbote believes that, to be completed, Shade’s poem needs but one line (Line 1000, identical to Line 1: “I was the shadow of the waxwing slain”). But it seems that, like some sonnets, Shade’s poem also needs a coda (Line 1001: “By its own double in the windowpane”). Dvoynik ("The Double," 1846) is a short novel by Dostoevski, a writer whom, according to Kinbote, Shade listed among Russian humorists:
Speaking of the Head of the bloated Russian Department, Prof. Pnin, a regular martinet in regard to his underlings (happily, Prof. Botkin, who taught in another department, was not subordinated to that grotesque "perfectionist"): "How odd that Russian intellectuals should lack all sense of humor when they have such marvelous humorists as Gogol, Dostoevski, Chekhov, Zoshchenko, and those joint authors of genius Ilf and Petrov." (note to Line 172)
Hazel Shade's strange fantasies bring to mind Tales and Fantasies (1905), s a posthumously published short story collection by R. L. Stevenson.
A frozen clime (the last words in R. L. Stevenson's sonnet) make one think of "Crime and Slime," as in the English version of VN's novel Otchayanie ("Despair," 1934) Hermann calls Dostoevski's nove Crime and Punishment (1867). In Despair Hermann murders Felix, a tramp whom Hermann believes to be his perfect double.
crime + slime/smile = clime + mires/rimes