In the conversation at the Faculty Club John Shade (the poet in VN’s novel Pale Fire, 1962) mentions the lovingly reconstructed ancestor of man in the Exton Museum:
Shade [smiling and massaging my knee]: "Kings do not die - they only disappear, eh, Charles?"
"Who said that?" asked sharply, as if coming out of a trance, the ignorant, and always suspicious, Head of the English Department.
"Take my own case," continued my dear friend ignoring Mr. H. "I have been said to resemble at least four people: Samuel Johnson; the lovingly reconstructed ancestor of man in the Exton Museum; and two local characters, one being the slapdash disheveled hag who ladles out the mash in the Levin Hall cafeteria."
"The third in the witch row," I precised quaintly, and everybody laughed.
"I would rather say," remarked Mr. Pardon - American History - "that she looks like Judge Goldsworth" ("One of us," interposed Shade inclining his head), "especially when he is real mad at the whole world after a good dinner."
"I hear," hastily began Netochka, "that the Goldsworths are having a wonderful time -" (note to Line 894)
In Conan Doyle’s novel The Hound of the Baskervilles Dr. Mortimer (an amateur anthropologist) tells Holmes that his skull would be an ornament to any anthropological museum:
“Come, come, we are not so far wrong, after all,” said Holmes. “And now, Dr. James Mortimer—”
“Mister, sir, Mister—a humble M.R.C.S.”
“And a man of precise mind, evidently.”
“A dabbler in science, Mr. Holmes, a picker up of shells on the shores of the great unknown ocean. I presume that it is Mr. Sherlock Holmes whom I am addressing and not—”
“No, this is my friend Dr. Watson.”
“Glad to meet you, sir. I have heard your name mentioned in connection with that of your friend. You interest me very much, Mr. Holmes. I had hardly expected so dolichocephalic a skull or such well-marked supra-orbital development. Would you have any objection to my running my finger along your parietal fissure? A cast of your skull, sir, until the original is available, would be an ornament to any anthropological museum. It is not my intention to be fulsome, but I confess that I covet your skull.”
Sherlock Holmes waved our strange visitor into a chair. “You are an enthusiast in your line of thought, I perceive, sir, as I am in mine,” said he. “I observe from your forefinger that you make your own cigarettes. Have no hesitation in lighting one.”
The man drew out paper and tobacco and twirled the one up in the other with surprising dexterity. He had long, quivering fingers as agile and restless as the antennæ of an insect.
Holmes was silent, but his little darting glances showed me the interest which he took in our curious companion. “I presume, sir,” said he at last, “that it was not merely for the purpose of examining my skull that you have done me the honour to call here last night and again today?”
“No, sir, no; though I am happy to have had the opportunity of doing that as well. I came to you, Mr. Holmes, because I recognized that I am myself an unpractical man and because I am suddenly confronted with a most serious and extraordinary problem. Recognizing, as I do, that you are the second highest expert in Europe—”
“Indeed, sir! May I inquire who has the honour to be the first?” asked Holmes with some asperity.
“To the man of precisely scientific mind the work of Monsieur Bertillon must always appeal strongly.”
“Then had you not better consult him?”
“I said, sir, to the precisely scientific mind. But as a practical man of affairs it is acknowledged that you stand alone. I trust, sir, that I have not inadvertently—”
“Just a little,” said Holmes. “I think, Dr. Mortimer, you would do wisely if without more ado you would kindly tell me plainly what the exact nature of the problem is in which you demand my assistance.” (Chapter 1: “Mr. Sherlock Holmes”)
Dr. Mortimer recognized that he himself was an unpractical man. According to Kinbote (Shade’s mad commentator who imagines that he is Charles the Beloved, the last self-exiled king of Zembla), he is the most impractical fellow in the world:
Imagine a soft, clumsy giant; imagine a historical personage whose knowledge of money is limited to the abstract billions of a national debt; imagine an exiled prince who is unaware of the Golconda in his cuff links! This is to say - oh, hyperbolically - that I am the most impractical fellow in the world. Between such a person and an old fox in the book publishing business, relations are at first touchingly carefree and chummy, with expansive banterings and all sorts of amiable tokens. I have no reason to suppose that anything will ever happen to prevent this initial relationship with good old Frank, my present publisher, from remaining a permanent fixture. (Foreword)
In his Foreword to Shade’s poem Kinbote mentions a ferocious lady at whose club he had refused to speak on the subject of "The Hally Vally:"
Oh, there were many such incidents. In a skit performed by a group of drama students I was pictured as a pompous woman hater with a German accent, constantly quoting Housman and nibbling raw carrots; and a week before Shade's death, a certain ferocious lady at whose club I had refused to speak on the subject of "The Hally Vally" (as she put it, confusing Odin's Hall with the title of a Finnish epic), said to me in the middle of a grocery store, "You are a remarkably disagreeable person. I fail to see how John and Sybil can stand you," and, exasperated by my polite smile, she added: "What's more, you are insane." But let me not pursue the tabulation of nonsense. Whatever was thought, whatever was said, I had my full reward in John's friendship. This friendship was the more precious for its tenderness being intentionally concealed, especially when we were not alone, by that gruffness which stems from what can be termed the dignity of the heart. His whole being constituted a mask. John Shade's physical appearance was so little in keeping with the harmonies hiving in the man, that one felt inclined to dismiss it as a coarse disguise or passing fashion; for if the fashions of the Romantic Age subtilized a poet's manliness by baring his attractive neck, pruning his profile and reflecting a mountain lake in his oval gaze, present-day bards, owing perhaps to better opportunities of aging, look like gorillas or vultures. My sublime neighbor's face had something about it that might have appealed to the eye, had it been only leonine or only Iroquoian; but unfortunately, by combining the two it merely reminded one of a fleshy Hogarthian tippler of indeterminate sex. His misshapen body, that gray mop of abundant hair, the yellow nails of his pudgy fingers, the bags under his lusterless eyes, were only intelligible if regarded as the waste products eliminated from his intrinsic self by the same forces of perfection which purifed and chiseled his verse. He was his own cancellation. (ibid.)
Odin’s Hall is the Valhalla and the title of a Finnish epic is the Kalevala. To Dr. Mortimer's question "do you find it [the old manuscript] interesting" Holmes replies: "to a collector of fairy tales." At the end of his Poslanie Delvigu (“The Epistle to Delvig,” 1827) Pushkin mentions Skandinavov ray voinskiy (the Scandinavians’ martial paradise, i. e. the Valhalla) and Hamlet-Baratynski (an allusion to Baratynski’s poem “The Skull”):
Прими ж сей череп, Дельвиг, он
Принадлежит тебе по праву.
Обделай ты его, барон,
В благопристойную оправу.
Изделье гроба преврати
В увеселительную чашу,
Вином кипящим освяти
Да запивай уху да кашу.
Певцу Корсара подражай
И скандинавов рай воинский
В пирах домашних воскрешай,
Или как Гамлет-Баратынский
Над ним задумчиво мечтай:
О жизни мертвый проповедник,
Вином ли полный, иль пустой,
Для мудреца, как собеседник,
Он стоит головы живой.
In his poem Pushkin tells the story of a skull that he is sending to Delvig (according to Pushkin, the skull belonged to Delvig’s ancestor, a German Baron who lived in Riga). Gradus (Shade's murderer) is the son of a Protestant minister in Riga. In his poem Exegi monumentum (1836) Pushkin (who had African blood) mentions Finn (cf. the Kalevala) and the now savage Tungus. In The Hound of the Baskervilles Holmes asks Dr. Mortimer if he can tell the skull of a negro from that of an Esquimau:
“I presume, Doctor, that you could tell the skull of a negro from that of an Esquimau?”
“Most certainly.”
“But how?”
“Because that is my special hobby. The differences are obvious. The supra-orbital crest, the facial angle, the maxillary curve, the—”
“But this is my special hobby, and the differences are equally obvious. There is as much difference to my eyes between the leaded bourgeois type of a Times article and the slovenly print of an evening half-penny paper as there could be between your negro and your Esquimau. The detection of types is one of the most elementary branches of knowledge to the special expert in crime, though I confess that once when I was very young I confused the Leeds Mercury with the Western Morning News. But a Times leader is entirely distinctive, and these words could have been taken from nothing else. As it was done yesterday the strong probability was that we should find the words in yesterday’s issue.” (Chapter 4: “Sir Henry Baskerville”)
Oswin Bretwit (the former Zemblan consul in Paris) and Joe Lavender (the owner of Villa Libitina in Switzerland) mistake Gradus for a newspaper reporter. Gradus learns the king’s new name and his address in America from Izumrudov, one of the greater Shadows whose name sounds rather Russian but actually means "of the Umruds," an Eskimo tribe sometimes seen paddling their umyaks (hide-lined boats) on the emerald waters of Zembla’s northern shores:
On the morning of July 16 (while Shade was working on the 698-746 section of his poem) dull Gradus, dreading another day of enforced inactivity in sardonically, sparkling, stimulatingly noisy Nice, decided that until hunger drove him out he would not budge from a leathern armchair in the simulacrum of a lobby among the brown smells of his dingy hotel. Unhurriedly he went through a heap of old magazines on a nearby table. There he sat, a little monument of taciturnity, sighing, puffing out his cheeks, licking his thumb before turning a page, gaping at the pictures, and moving his lips as he climbed down the columns of printed matter. Having replaced everything in a neat pile, he sank back in his chair closing and opening his gabled hands in various constructions of tedium – when a man who had occupied a seat next to him got up and walked into the outer glare leaving his paper behind. Gradus pulled it into his lap, spread it out – and froze over a strange piece of local news that caught his eye: burglars had broken into Villa Disa and ransacked a bureau, taking from a jewel box a number of valuable old medals.
Here was something to brood upon. Had this vaguely unpleasant incident some bearing on his quest? Should he do something about it? Cable headquarters? Hard to word succinctly a simple fact without having it look like a cryptogram. Airmail a clipping? He was in his room working on the newspaper with a safety razor blade when there was a bright rap-rap at the door. Gradus admitted an unexpected visitor – one of the greater Shadows, whom he had thought to be onhava-onhava ("far, far away"), in wild, misty, almost legendary Zembla! What stunning conjuring tricks our magical mechanical age plays with old mother space and old father time!
He was a merry, perhaps overmerry, fellow, in a green velvet jacket. Nobody liked him, but he certainly had a keen mind. His name, Izumrudov, sounded rather Russian but actually meant "of the Umruds," an Eskimo tribe sometimes seen paddling their umyaks (hide-lined boats) on the emerald waters of our northern shores. Grinning, he said friend Gradus must get together his travel documents, including a health certificate, and take the earliest available jet to New York. Bowing, he congratulataed him on having indicated with such phenomenal acumen the right place and the right way. Yes, after a thorough perlustration of the loot that Andron and Niagarushka had obtained from the Queen's rosewood writing desk (mostly bills, and treasured snapshots, and those silly medals) a letter from the King did turn up giving his address which was of all places – our man, who interrupted the herald of success to say he had never – was bidden not to display so much modesty. A slip of paper was now produced on which Izumrudov, shaking with laughter (death is hilarious), wrote out for Gradus their client's alias, the name of the university where he taught, and that of the town where it was situated. No, the slip was not for keeps. He could keep it only while memorizing it. This brand of paper (used by macaroon makers) was not only digestible but delicious. The gay green vision withdrew – to resume his whoring no doubt. How one hates such men! (note to Line 741)
Balthasar, Prince of Loam (Kinbote’s black gardener who saves his master’s life by dealing Gradus a tremendous blow with his spade) had worked for two years as a male nurse in a hospital for Negroes in Maryland:
Some neighbor's! The poet had seen my gardener many times, and this vagueness I can only assign to his desire (noticeable elsewhere in his handling of names, etc.) to give a certain poetical patina, the bloom of remoteness, to familiar figures and things - although it is just possible he might have mistaken him in the broken light for a stranger working for a stranger. This gifted gardener I discovered by chance one idle spring day. when I was slowly wending my way home after a maddening and embarrassing experience at the college indoor swimming pool. He stood at the top of a green ladder attending to the sick branch of a grateful tree in one of the most famous avenues in Appalachia. His red flannel shirt lay on the grass. We conversed, a little shyly, he above, I below. I was pleasantly surprised at his being able to refer all his patients to their proper habitats. It was spring, and we were alone in that admirable colonnade of trees which visitors from England have photographed from end to end. I can enumerate here only a few kinds of those trees: Jove's stout oak and two others: the thunder-cloven from Britain, the knotty-entrailed from a Mediterranean island; a weatherfending line (now lime), a phoenix (now date palm), a pine and a cedar (Cedrus), all insular; a Venetian sycamore tree (Acer); two willows, the green, likewise from Venice, the hoar-leaved from Denmark; a midsummer elm, its barky fingers enringed with ivy; a midsummer mulberry, its shade inviting to tarry; and a clown's sad cypress from Illyria.
He had worked for two years as a male nurse in a hospital for Negroes in Maryland. He was hard up. He wanted to study landscaping, botany and French ("to read in the original Baudelaire and Dumas"). I promised him some financial assistance. He started to work at my place the very next day. He was awfully nice and pathetic, and all that, but a little too talkative and completely impotent which I found discouraging. Otherwise he was a strong strapping fellow, and I hugely enjoyed the aesthetic pleasure of watching him buoyantly struggle with earth and turf or delicately manipulate bulbs, or lay out the flagged path which may or may not be a nice surprise for my landlord, when he safely returns from England (where I hope no bloodthirsty maniacs are stalking him!). How I longed to have him (my gardener, not my landlord) wear a great big turban, and shalwars, and an ankle bracelet. I would certainly have him attired according to the old romanticist notion of a Moorish prince, had I been a northern king - or rather had I still been a king (exile becomes a bad habit). You will chide me, my modest man, for writing so much about you in this note, but I feel I must pay you this tribute. After all, you saved my life. You and I were the last people who saw John Shade alive, and you admitted afterwards to a strange premonition which made you interrupt your work as; you noticed us from the shrubbery walking toward the porch where stood - (Superstitiously I cannot write out the odd dark word you employed.) (note to Line 998)
Mary is the name of Dr. Watson’s wife. Watson first meets her in The Sign of Four. Kinbote’s landlord, Judge Goldsworth has a wife and four daughters. On the other hand, Kinbote's landlord (who resembles a Medusa-locked hag and who directs the household) brings to mind Mrs. Hudson (Holmes’s and Watson’s landlady).
The eldest of Judge Goldsworth's four daughters, Dee (aged fourteen) brings to mind John Dee, an English alchemist (the court astronomer for Queen Elizabeth I) who visited Bohemia and had audiences with Emperor Rudolph II in Prague Castle. A Scandal in Bohemia is a story by Conan Doyle featuring Sherlock Holmes and Irene Adler (an actress who brings to mind Iris Acht, the mistress of King Thurgus the Third). In his sherlockian poem “The Old Tin Box” (1946) Jay Finley Christ mentions the murder at Prague:
The tale of the pinch of Victor Lynch,
The furniture warehouse mob,
The case at the Hague, the murder at Prague
The powderless Margate job.
Gradus is in the habit of "lynching" (after Judge Lynch's Court) wrong people. A wellknown sherlockian scholar, Jay Finley Christ (1884-1963) brings to mind Mrs. Finley, the cleaning woman to whom Kinbote farmed out the black cat that came with the house:
Among various detailed notices affixed to a special board in the pantry, such as plumbing instructions, dissertations on electricity, discourses on cactuses and so forth, I found the diet of the black cat that came with the house:
Mon, Wed, Fri: Liver
Tue, Thu, Sat: Fish
Sun: Ground meat
(All it got from me was milk and sardines; it was a likable little creature but after a while its movements began to grate on my nerves and I farmed it out to Mrs. Finley, the cleaning woman.) (note to Lines 47-48)
The name of Judge Goldsworth's second youngest daughter, Betty (aged ten), seems to hint at Queen Elizabeth I. According to Kinbote, in a conversation with him Shade compared Shakespeare (an Elizabethan playwright) to a Great Dane and himself, to a grateful mongrel:
Speaking of the Head of the bloated Russian Department, Prof. Pnin, a regular martinet in regard to his underlings (happily, Prof. Botkin, who taught in another department, was not subordinated to that grotesque "perfectionist"): "How odd that Russian intellectuals should lack all sense of humor when they have such marvelous humorists as Gogol, Dostoevski, Chekhov, Zoshchenko, and those joint authors of genius Ilf and Petrov."
Talking of the vulgarity of a certain burly acquaintance of ours: "The man is as corny as a cook-out chef apron." Kinbote (laughing): "Wonderful!"
The subject of teaching Shakespeare at college level having been introduced: "First of all, dismiss ideas, and social background, and train the freshman to shiver, to get drunk on the poetry of Hamlet or Lear, to read with his spine and not with his skull." Kinbote: "You appreciate particularly the purple passages?" Shade: "Yes, my dear Charles, I roll upon them as a grateful mongrel on a spot of turf fouled by a Great Dane." (note to Line 172)
Jack Stapleton's terrible dog (the hound of the Baskervilles) is a half-mastiff and half-bloodhound.
It seems that Snoopy is the name of Dr. Mortimer’s curly spaniel only in the Soviet film version (1981) of Conan Doyle’s novel, but not in the book itself. What a pity!