In VN's novel Lolita (1955) Humbert Humbert and Lolita spend their first night together in The Enchanted Hunters, a hotel in Briceland:
The miracle I hankered for did happen after all. A man and a girl, more or less conjoined in a dark car under dripping trees, told us we were in the heart of The Park, but had only to turn left at the next traffic light and there we would be. We did not see any next traffic light - in fact, The Park was as black as the sins it concealed - but soon after falling under the smooth spell of a nicely graded curve, the travelers became aware of a diamond glow through the mist, then a gleam of lakewater appeared - and there it was, marvelously and inexorably, under spectral trees, at the top of a graveled drive - the pale palace of The Enchanted Hunters.
A row of parked cars, like pigs at a trough, seemed at first sight to forbid access; but then, by magic, a formidable convertible, resplendent, rubious in the lighted rain, came into motion - was energetically backed out by a broad-shouldered driver - and we gratefully slipped into the gap it had left. I immediately regretted my haste for I noticed that my predecessor had now taken advantage of a garage-like shelter nearby where there was ample space for another car; but I was too impatient to follow his example.
“Wow! Looks swank,” remarked my vulgar darling squinting at the stucco as she crept out into the audible drizzle and with a childish hand tweaked loose the frock-fold that had struck in the peach-cleft - to quote Robert Browning. Under the arclights enlarged replicas of chestnut leaves plunged and played on white pillars. I unlocked the trunk compartment. A hunchbacked and hoary Negro in a uniform of sorts took our bags and wheeled them slowly into the lobby. It was full of old ladies and clergy men. Lolita sank down on her haunches to caress a pale-faced, blue-freckled, black-eared cocker spaniel swooning on the floral carpet under her hand - as who would not, my heart - while I cleared my throat through the throng to the desk. There a bald porcine old man - everybody was old in that old hotel - examined my features with a polite smile, then leisurely produced my (garbled) telegram, wrestled with some dark doubts, turned his head to look at the clock, and finally said he was very sorry, he had held the room with the twin beds till half past six, and now it was gone. A religious convention, he said, had clashed with a flower show in Briceland, and "The name," I said coldly, “is not Humberg and not Humbug, but Herbert, I mean Humbert, and any room will do, just put in a cot for my little daughter. She is ten and very tired.” (1.27)
The hotel's name combines Enchanted Woods, an essay by W. B. Yeats included in his volume The Celtic Twilight (1893, 1902), with "an old hunter talking with Gods" mentioned by Yeats at the end of his poem Are You Content?:
Infirm and aged I might stay
In some good company,
I who have always hated work,
Smiling at the sea,
Or demonstrate in my own life
What Robert Browning meant
By an old hunter talking with Gods;
But I am not content.
As to Briceland, it seems to hint at Brycelinde mentioned by Yeats in the first line of his poem Under the Moon included in Yeats's collection In the Seven Woods (1903):
I have no happiness in dreaming of Brycelinde,
Nor Avalon the grass-green hollow, nor Joyous Isle,
Where one found Lancelot crazed and hid him for a while;
Nor Ulad, when Naoise had thrown a sail upon the wind;
Nor lands that seem too dim to be burdens on the heart:
Land-under-Wave, where out of the moon’s light and the sun’s
Seven old sisters wind the threads of the long-lived ones,
Land-of-the-Tower, where Aengus has thrown the gates apart,
And Wood-of-Wonders, where one kills an ox at dawn,
To find it when night falls laid on a golden bier.
Therein are many queens like Branwen and Guinevere;
And Niamh and Laban and Fand, who could change to an otter or fawn,
And the wood-woman, whose lover was changed to a blue-eyed hawk;
And whether I go in my dreams by woodland, or dun, or shore,
Or on the unpeopled waves with kings to pull at the oar,
I hear the harp-string praise them, or hear their mournful talk.
Because of something told under the famished horn
Of the hunter’s moon, that hung between the night and the day,
To dream of women whose beauty was folded in dismay,
Even in an old story, is a burden not to be borne.
Yeats's Brycelinde seems to be Brocéliande (earlier known as Brécheliant and Brécilien), a legendary enchanted forest that had a reputation in the medieval European imagination as a place of magic and mystery. Brocéliande is featured in several medieval texts, mostly related to the Arthurian legend and the characters of Merlin, Morgan le Fay, the Lady of the Lake, and some of the Knights of the Round Table. It first appeared in literature in the Roman de Rou chronicle by Wace in 1160 and today is most commonly identified as Paimpont forest in Brittany, France.
A powerful and ambiguous enchantress from the legend of King Arthur, Morgan le Fay brings to mind Fay Page, Bill Mead's fiancée who joins Humbert and Lolita on a tennis court:
Two people in tennis shorts, a red-haired fellow only about eight years my junior, and an indolent dark girl with a moody mouth and hard eyes, about two years Lolita’s senior, appeared from nowhere. As is common with dutiful tyros, their rackets were sheathed and framed, and they carried them not as if they were the natural and comfortable extensions of certain specialized muscles, but hammers or blunderbusses or whimbles, or my own dreadful cumbersome sins. Rather unceremoniously seating themselves near my precious coat, on a bench adjacent to the court, they fell to admiring very vocally a rally of some fifty exchanges that Lo innocently helped me to foster and uphold - until there occurred a syncope in the series causing her to gasp as her overhead smash went out of court, whereupon she melted into winsome merriment, my golden pet.
I felt thirsty by then, and walked to the drinking fountain; there Red approached me and in all humility suggested a mixed double. “I am Bill Mead,” he said. “And that’s Fay Page, actress. Maffy On Say”- he added (pointing with his ridiculously hooded racket at polished Fay who was already talking to Dolly). I was about to reply “Sorry, but” (for I hate to have my filly involved in the chops and jabs of cheap bunglers), when a remarkably melodious cry diverted my attention: a bellboy was tripping down the steps from the hotel to our court and making me signs. I was wanted, if you please, on an urgent long distance call - so urgent in fact that the line was being held for me. Certainly. I got into my coat (inside pocket heavy with pistol) and told Lo I would be back in a minute. She was picking up a ball - in the continental foot-racket way which was one of the few nice things I had taught her, and smiled - she smiled at me! (2.20)
Bill Mead and Fay Page are the friends of Clare Quilty (the playwright who speaks to Humbert on the porch of the Enchanted Hunters and who abducts Lolita from the Elphinstone hospital). When Humbert visits Lolita (now married to Dick Schiller) in Coalmont, Lolita tells him about her life with Quilty at Duk Duk Ranch and mentions Fay:
She took from the mantelpiece a concave glossy snapshot. Old woman in white, stout, beaming, bowlegged, very short dress; old man in his shirtsleeves, drooping mustache, watch chain. Her in-laws. Living with Dick’s brother’s family in Juneau.
“Sure you don’t want to smoke?”
She was smoking herself. First time I saw her doing it. Streng verboten under Humbert the Terrible. Gracefully, in a blue mist, Charlotte Haze rose from her grave. I would find him through Uncle Ivory if she refused.
“Betrayed you? No.” She directed the dart of her cigarette, index rapidly tapping upon it, toward the hearth exactly as her mother used to do, and then, like her mother, oh my God, with her fingernail scratched and removed a fragment of cigarette paper from her underlip. No. She had not betrayed me. I was among friends. Edusa had warned her that Cue liked little girls, had been almost jailed once, in fact (nice fact), and he knew she knew. Yes… Elbow in palm, puff, smile, exhaled smoke, darting gesture. Waxing reminiscent. He saw - smiling - through everything and everybody, because he was not like me and her but a genius. A great guy. Full of fun. Had rocked with laughter when she confessed about me and her, and said he had thought so. It was quite safe, under the circumstances, to tell him…
Well, Cue - they all called him Cue.
Her camp five years ago. Curious coincidence… took her to a dude ranch about a day’s drive from Elephant (Elphinstone). Named? Oh, some silly name - Duk Duk Ranch you know just plain silly but it did not matter now, anyway, because the place had vanished and disintegrated. Really, she meant, I could not imagine how utterly lush that ranch was, she meant it had everything but everything, even an indoor waterfall. Did I remember the red-haired guy we (“we” was good) had once had some tennis with? Well, the place really belonged to Red’s brother, but he had turned it over to Cue for the summer. When Cue and she came, the others had them actually go through a coronation ceremony and then a terrific ducking, as when you cross the Equator. You know.
Her eyes rolled in synthetic resignation.
“Go on, please.”
Well. The idea was he would take her in September to Hollywood and arrange a tryout for her, a bit part in the tennis-match scene of a movie picture based on a play of his Golden Guts and perhaps even have her double one of its sensational starlets on the Klieg-struck tennis court. Alas, it never came to that.
“Where is the hog now?”
He was not a hog. He was a great guy in many respects. But it was all drink and drugs. And, of course, he was a complete freak in sex matters, and his friends were his slaves. I just could not imagine (I, Humbert, could not imagine!) what they all did at Duk Duk Ranch. She refused to take part because she loved him, and he threw her out.
“What things?”
“Oh, weird, filthy, fancy things. I mean, he had two girls and tow boys, and three or four men, and the idea was for all of us to tangle in the nude while an old woman took movie pictures.” (Sade’s Justine was twelve at the start.)
“What things exactly?”
“Oh, things… Oh, I - really I” - she uttered the “I” as a subdued cry while she listened to the source of the ache, and for lack of words spread the five fingers of her angularly up-and-down-moving hand. No, she gave it up, she refused to go into particulars with that baby inside her.
That made sense.
“It is of no importance now,” she said pounding a gray cushing with her fist and then lying back, belly up, on the divan. “Crazy things, filthy things. I said no, I’m just not going to [she used, in all insouciance really, a disgusting slang term which, in a literal French translation, would be souffler] your beastly boys, because I want only you. Well, he kicked me out.”
There was not much else to tell. That winter 1949, Fay and she had found jobs. For almost two years she had - oh, just drifted, oh, doing some restaurant work in small places, and then she had met Dick. No, she did not know where the other was. In New York, she guessed. Of course, he was so famous she would have found him at once if she had wanted. Fay had tried to get back to the Ranch - and it just was not there any more - it had burned to the ground, nothing remained, just a charred heap of rubbish. It was so strange, so strange. (2.29)
Btw., Bill Mead (Fay Page's boyfriend) makes one think of the even mead mentioned by the Duke of Burgundy in Shakespeare's history play Henry V:
The even mead, that erst brought sweetly forth
The freckled cowslip, burnet, and green clover,
Wanting the scythe, all uncorrected, rank,
Conceives by idleness, and nothing teems
But hateful docks, rough thistles, kecksies, burrs,
Losing both beauty and utility. (Act V, scene 2)