When Demon Veen (in VN's novel Ada, 1969, Van's and Ada's father) takes his leave after the family dinner in "Ardis the Second," he quips ‘Partir c’est mourir un peu, et mourir c’est partir un peu trop' (to go away is to die a little, and to die is to go a way a little too much):
After a quick cup of coffee and a drop of cherry liqueur Demon got up.
‘Partir c’est mourir un peu, et mourir c’est partir un peu trop. Do tell Dan and Norman I can give them tea-and-cake any time tomorrow at the Bryant. By the way, how’s Lucette?’
Marina knitted her brows and shook her head acting the fond, worried mother though, in point of fact, she bore her daughters even less affection than she had for cute Dack and pathetic Dan.
‘Oh, we had quite a scare,’ she replied finally, ‘quite a nasty scare. But now, apparently —’
‘Van,’ said his father, ‘be a good scout. I did not have a hat but I did have gloves. Ask Bouteillan to look in the gallery, I may have dropped them there. No. Stay! It’s all right. I left them in the car, because I recall the cold of this flower, which I took from a vase in passing...’
He now threw it away, discarding with it the shadow of his fugitive urge to plunge both hands in a soft bosom.
‘I had hoped you’d sleep here,’ said Marina (not really caring one way or another). ‘What is your room number at the hotel — not 222 by any chance?’
She liked romantic coincidences. Demon consulted the tag on his key: 221 — which was good enough, fatidically and anecdotically speaking. Naughty Ada, of course, stole a glance at Van, who tensed up the wings of his nose in a grimace that mimicked the slant of Pedro’s narrow, beautiful nostrils.
‘They make fun of an old woman,’ said Marina, not without coquetry, and in the Russian manner kissed her guest on his inclined brow as he lifted her hand to his lips: ‘You’ll forgive me,’ she added, ‘for not going out on the terrace, I’ve grown allergic to damp and darkness; I’m sure my temperature has already gone up to thirty-seven and seven, at least,’
Demon tapped the barometer next to the door. It had been tapped too often to react in any intelligible way and remained standing at a quarter past three.
Van and Ada saw him off. The night was very warm and dripping with what Ladore farmers called green rain. Demon’s black sedan glinted elegantly among the varnished laurels in the moth-flaked porchlight. He tenderly kissed the children, the girl on one cheek, the boy on the other, then Ada again — in the hollow of the white arm that clasped his neck. Nobody paid much attention to Marina, who waved from a tangelo-colored oriel window a spangled shawl although all she could see was the sheen of the car’s bonnet and the rain slanting in the light of its lamps.
Demon pulled on his gloves and sped away with a great growl of damp gravel.
‘That last kiss went a little too far,’ remarked Van, laughing.
‘Oh well — his lips sort of slipped,’ laughed Ada and, laughing, they embraced in the dark as they skirted the wing of the house.
They stopped for a moment under the shelter of an indulgent tree, where many a cigar-smoking guest had stopped after dinner. Tranquilly, innocently, side by side in their separately ordained attitudes, they added a trickle and a gush to the more professional sounds of the rain in the night, and then lingered, hand in hand, in a corner of the latticed gallery waiting for the lights in the windows to go out.
‘What was faintly off-key, ne tak, about the whole evening?’ asked Van softly. ‘You noticed?’
‘Of course, I did. And yet I adore him. I think he’s quite crazy, and with no place or occupation in life, and far from happy, and philosophically irresponsible — and there is absolutely nobody like him.’
‘But what went wrong tonight? You were tongue-tied, and everything we said was fal’shivo. I wonder if some inner nose in him smelled you in me, and me in you. He tried to ask me... Oh it was not a nice family reunion. What exactly went wrong at dinner?’
‘My love, my love, as if you don’t know! We’ll manage, perhaps, to wear our masks always, till dee do us part, but we shall never be able to marry — while they’re both alive. We simply can’t swing it, because he’s more conventional in his own way than even the law and the social lice. One can’t bribe one’s parents, and waiting forty, fifty years for them to die is too horrible to imagine — I mean the mere thought of anybody waiting for such a thing is not in our nature, is mean and monstrous!’
He kissed her half-closed lips, gently and ‘morally’ as they defined moments of depth to distinguish them from the despair of passion.
‘Anyway,’ he said, ‘it’s fun to be two secret agents in an alien country. Marina has gone upstairs. Your hair is wet.’
‘Spies from Terra? You believe, you believe in the existence of Terra? Oh, you do! You accept it. I know you!’
‘I accept it as a state of mind. That’s not quite the same thing.’
‘Yes, but you want to prove it is the same thing.’
He brushed her lips with another religious’ kiss. Its edge, however, was beginning to catch fire.
‘One of these days,’ he said, ‘I will ask you for a repeat performance. You will sit as you did four years ago, at the same table, in the same light, drawing the same flower, and I shall go through the same scene with such joy, such pride, such — I don’t know — gratitude! Look, all the windows are dark now. I, too, can translate when I simply have to. Listen to this:
Lights in the rooms were going out.
Breathed fragrantly the rozï.
We sat together in the shade
Of a wide-branched beryozï.’
‘Yes, "birch" is what leaves the translator in the "lurch," doesn’t it? That’s a terrible little poem by Konstantin Romanov, right? Just elected president of the Lyascan Academy of Literature, right? Wretched poet and happy husband. Happy husband!’
‘You know,’ said Van, ‘I really think you should wear something underneath on formal occasions.’
‘Your hands are cold. Why formal? You said yourself it was a family affair.’
‘Even so. You were in peril whenever you bent or sprawled.’
‘I never sprawl!’
‘I’m quite sure it’s not hygienic, or perhaps it’s a kind of jealousy on my part. Memoirs of a Happy Chair. Oh, my darling.’
‘At least,’ whispered Ada, ‘it pays off now, doesn’t it? Croquet room? Ou comme ça?’
‘Comme ça, for once,’ said Van. (1.38)
Darkbloom ('Notes to Ada'): partir etc.: to go away is to die a little, and to die is to go a way a little too much.
tangelo: a cross between the tangerine and the pomelo (grapefruit).
fal’shivo: Russ., false.
rozï... beryozï: Russ., roses... birches.
ou comme ça?: or like that?
A namesake of Alphonse de Lamartine (1790-1869), Alphonse Karr (1808-90) and Alphonse Daudet (1840-97), Alphonse Allais (a French humorist, 1854-1905) said: Partir, c'est mourir un peu, mais mourir, c'est partir beaucoup (To leave is to die a little, but to die is to leave very much). The Alphonse Four is Lucette's hotel in Paris (a city also known as Lute on Demonia, aka Antiterra, Earth's twin planet on which Ada is set):
On a bleak morning between the spring and summer of 1901, in Paris, as Van, black-hatted, one hand playing with the warm loose change in his topcoat pocket and the other, fawn-gloved, upswinging a furled English umbrella, strode past a particularly unattractive sidewalk café among the many lining the Avenue Guillaume Pitt, a chubby bald man in a rumpled brown suit with a watch-chained waistcoat stood up and hailed him.
Van considered for a moment those red round cheeks, that black goatee.
‘Ne uznayosh’ (You don’t recognize me)?’
‘Greg! Grigoriy Akimovich!’ cried Van tearing off his glove.
‘I grew a regular vollbart last summer. You’d never have known me then. Beer? Wonder what you do to look so boyish, Van.’
‘Diet of champagne, not beer,’ said Professor Veen, putting on his spectacles and signaling to a waiter with the crook of his ‘umber.’ ‘Hardly stops one adding weight, but keeps the scrotum crisp.’
‘I’m also very fat, yes?’
‘What about Grace, I can’t imagine her getting fat?’
‘Once twins, always twins. My wife is pretty portly, too.’
‘Tak tï zhenat (so you are married)? Didn’t know it. How long?’
‘About two years.’
‘To whom?’
‘Maude Sween.’
‘The daughter of the poet?’
‘No, no, her mother is a Brougham.’
Might have replied ‘Ada Veen,’ had Mr Vinelander not been a quicker suitor. I think I met a Broom somewhere. Drop the subject. Probably a dreary union: hefty, high-handed wife, he more of a bore than ever.
‘I last saw you thirteen years ago, riding a black pony — no, a black Silentium. Bozhe moy!’
‘Yes — Bozhe moy, you can well say that. Those lovely, lovely agonies in lovely Ardis! Oh, I was absolyutno bezumno (madly) in love with your cousin!’
‘You mean Miss Veen? I did not know it. How long —’
‘Neither did she. I was terribly —’
‘How long are you staying —’
‘— terribly shy, because, of course, I realized that I could not compete with her numerous boy friends.’
Numerous? Two? Three? Is it possible he never heard about the main one? All the rose hedges knew, all the maids knew, in all three manors. The noble reticence of our bed makers.
‘How long will you be staying in Lute? No, Greg, I ordered it. You pay for the next bottle. Tell me —’
‘So odd to recall! It was frenzy, it was fantasy, it was reality in the x degree. I’d have consented to be beheaded by a Tartar, I declare, if in exchange I could have kissed her instep. You were her cousin, almost a brother, you can’t understand that obsession. Ah, those picnics! And Percy de Prey who boasted to me about her, and drove me crazy with envy and pity, and Dr Krolik, who, they said, also loved her, and Phil Rack, a composer of genius — dead, dead, all dead!’
‘I really know very little about music but it was a great pleasure to make your chum howl. I have an appointment in a few minutes, alas. Za tvoyo zdorovie, Grigoriy Akimovich.’
‘Arkadievich,’ said Greg, who had let it pass once but now mechanically corrected Van.
‘Ach yes! Stupid slip of the slovenly tongue. How is Arkadiy Grigorievich?’
‘He died. He died just before your aunt. I thought the papers paid a very handsome tribute to her talent. And where is Adelaida Danilovna? Did she marry Christopher Vinelander or his brother?’
‘In California or Arizona. Andrey’s the name, I gather. Perhaps I’m mistaken. In fact, I never knew my cousin very well: I visited Ardis only twice, after all, for a few weeks each time, years ago.’
‘Somebody told me she’s a movie actress.’
‘I’ve no idea, I’ve never seen her on the screen.’
‘Oh, that would be terrible, I declare — to switch on the dorotelly, and suddenly see her. Like a drowning man seeing his whole past, and the trees, and the flowers, and the wreathed dachshund. She must have been terribly affected by her mother’s terrible death.’
Likes the word ‘terrible,’ I declare, A terrible suit of clothes, a terrible tumor. Why must I stand it? Revolting — and yet fascinating in a weird way: my babbling shadow, my burlesque double.
Van was about to leave when a smartly uniformed chauffeur came up to inform 'my lord' that his lady was parked at the corner of rue Saïgon and was summoning him to appear.
‘Aha,’ said Van, ‘I see you are using your British title. Your father preferred to pass for a Chekhovian colonel.’
‘Maude is Anglo-Scottish and, well, likes it that way. Thinks a title gets one better service abroad. By the way, somebody told me — yes, Tobak! — that Lucette is at the Alphonse Four. I haven’t asked you about your father? He’s in good health?’ (Van bowed,) ‘And how is the guvernantka belletristka?’
‘Her last novel is called L‘ami Luc. She just got the Lebon Academy Prize for her copious rubbish.’
They parted laughing.
A moment later, as happens so often in farces and foreign cities, Van ran into another friend. With a surge of delight he saw Cordula in a tight scarlet skirt bending with baby words of comfort over two unhappy poodlets attached to the waiting-post of a sausage shop. Van stroked her with his fingertips, and as she straightened up indignantly and turned around (indignation instantly replaced by gay recognition), he quoted the stale but appropriate lines he had known since the days his schoolmates annoyed him with them:
The Veens speak only to Tobaks
But Tobaks speak only to dogs.
The passage of years had but polished her prettiness and though many fashions had come and gone since 1889, he happened upon her at a season when hairdos and skirtlines had reverted briefly (another much more elegant lady was already ahead of her) to the style of a dozen years ago, abolishing the interruption of remembered approval and pleasure. She plunged into a torrent of polite questions — but he had a more important matter to settle at once — while the flame still flickered.
‘Let’s not squander,’ he said, ‘the tumescence of retrieved time on the gush of small talk. I’m bursting with energy, if that’s what you want to know. Now look; it may sound silly and insolent but I have an urgent request. Will you cooperate with me in cornuting your husband? It’s a must!’
‘Really, Van!’ exclaimed angry Cordula. ‘You go a bit far. I’m a happy wife. My Tobachok adores me. We’d have ten children by now if I’d not been careful with him and others.’
‘You’ll be glad to learn that this other has been found utterly sterile.’
‘Well, I’m anything but. I guess I’d cause a mule to foal by just looking on. Moreover, I’m lunching today with the Goals.’
‘C’est bizarre, an exciting little girl like you who can be so tender with poodles and yet turns down a poor paunchy stiff old Veen.’
‘The Veens are much too gay as dogs go.’
‘Since you collect adages,’ persisted Van, ‘let me quote an Arabian one. Paradise is only one assbaa south of a pretty girl’s sash. Eh bien?’
‘You are impossible. Where and when?’
‘Where? In that drab little hotel across the street. When? Right now. I’ve never seen you on a hobbyhorse yet, because that’s what tout confort promises — and not much else.’
‘I must be home not later than eleven-thirty, it’s almost eleven now.’
‘It will take five minutes. Please!’
Astraddle, she resembled a child braving her first merry-go-round. She made a rectangular moue as she used that vulgar contraption. Sad, sullen streetwalkers do it with expressionless faces, lips tightly closed. She rode it twice. Their brisk nub and its repetition lasted fifteen minutes in all, not five. Very pleased with himself, Van walked with her for a stretch through the brown and green Bois de Belleau in the direction of her osobnyachyok (small mansion).
‘That reminds me,’ he said, ‘I no longer use our Alexis apartment. I’ve had some poor people live there these last seven or eight years — the family of a police officer who used to be a footman at Uncle Dan’s place in the country. My policeman is dead now and his widow and three boys have gone back to Ladore. I want to relinquish that flat. Would you like to accept it as a belated wedding present from an admirer? Good. We shall do it again some day. Tomorrow I have to be in London and on the third my favorite liner, Admiral Tobakoff, will take me to Manhattan. Au revoir. Tell him to look out for low lintels. Antlers can be very sensitive when new. Greg Erminin tells me that Lucette is at the Alphonse Four?’
‘That’s right. And where’s the other?’
‘I think we’ll part here. It’s twenty minutes to twelve. You’d better toddle along.’
‘Au revoir. You’re a very bad boy and I’m a very bad girl. But it was fun — even though you’ve been speaking to me not as you would to a lady friend but as you probably do to little whores. Wait. Here’s a top secret address where you can always’ — (fumbling in her handbag) — ‘reach me’ — (finding a card with her husband’s crest and scribbling a postal cryptograph) — ‘at Malbrook, Mayne, where I spend every August.’
She looked around, rose on her toes like a ballerina, and kissed him on the mouth. Sweet Cordula! (3.2)
Darkbloom ('Notes to Ada'): So you are married, etc.: see Eugene Onegin, Eight: XVIII: 1-4.
za tvoyo etc.: Russ., your health.
guvernantka etc.: Russ., governess-novelist.
moue: little grimace.
Van nicknamed the concierge at the Alphonse Four "Alphonse Cinq:"
The Bourbonian-chinned, dark, sleek-haired, ageless concierge, dubbed by Van in his blazer days ‘Alphonse Cinq,’ believed he had just seen Mlle Veen in the Récamier room where Vivian Vale’s golden veils were on show. With a flick of coattail and a swing-gate click, Alphonse dashed out of his lodge and went to see. Van’s eye over his umbrella crook traveled around a carousel of Sapsucker paperbacks (with that wee striped woodpecker on every spine): The Gitanilla, Salzman, Salzman, Salzman, Invitation to a Climax, Squirt, The Go-go Gang, The Threshold of Pain, The Chimes of Chose, The Gitanilla — here a Wall Street, very ‘patrician’ colleague of Demon’s, old Kithar K.L. Sween, who wrote verse, and the still older real-estate magnate Milton Eliot, went by without recognizing grateful Van, despite his being betrayed by several mirrors.
The concierge returned shaking his head. Out of the goodness of his heart Van gave him a Goal guinea and said he’d call again at one-thirty. He walked through the lobby (where the author of Agonic Lines and Mr Eliot, affalés, with a great amount of jacket over their shoulders, dans des fauteuils, were comparing cigars) and, leaving the hotel by a side exit, crossed the rue des Jeunes Martyres for a drink at Ovenman’s.
Upon entering, he stopped for a moment to surrender his coat; but he kept his black fedora and stick-slim umbrella as he had seen his father do in that sort of bawdy, albeit smart, place which decent women did not frequent — at least, unescorted. He headed for the bar, and as he was in the act of wiping the lenses of his black-framed spectacles, made out, through the optical mist (Space’s recent revenge!), the girl whose silhouette he recalled having seen now and then (much more distinctly!) ever since his pubescence, passing alone, drinking alone, always alone, like Blok’s Incognita. It was a queer feeling — as of something replayed by mistake, part of a sentence misplaced on the proof sheet, a scene run prematurely, a repeated blemish, a wrong turn of time. He hastened to reequip his ears with the thick black bows of his glasses and went up to her in silence. For a minute he stood behind her, sideways to remembrance and reader (as she, too, was in regard to us and the bar), the crook of his silk-swathed cane lifted in profile almost up to his mouth. There she was, against the aureate backcloth of a sakarama screen next to the bar, toward which she was sliding, still upright, about to be seated, having already placed one white-gloved hand on the counter. She wore a high-necked, long-sleeved romantic black dress with an ample skirt, fitted bodice and ruffy collar, from the black soft corolla of which her long neck gracefully rose. With a rake’s morose gaze we follow the pure proud line of that throat, of that tilted chin. The glossy red lips are parted, avid and fey, offering a side gleam of large upper teeth. We know, we love that high cheekbone (with an atom of powder puff sticking to the hot pink skin), and the forward upsweep of black lashes and the painted feline eye — all this in profile, we softly repeat. From under the wavy wide brim of her floppy hat of black faille, with a great black bow surmounting it, a spiral of intentionally disarranged, expertly curled bright copper descends her flaming cheek, and the light of the bar’s ‘gem bulbs’ plays on her bouffant front hair, which, as seen laterally, convexes from beneath the extravagant brim of the picture hat right down to her long thin eyebrow. Her Irish profile sweetened by a touch of Russian softness, which adds a look of mysterious expectancy and wistful surprise to her beauty, must be seen, I hope, by the friends and admirers of my memories, as a natural masterpiece incomparably finer and younger than the portrait of the similarily postured lousy jade with her Parisian gueule de guenon on the vile poster painted by that wreck of an artist for Ovenman.
‘Hullo there, Ed,’ said Van to the barman, and she turned at the sound of his dear rasping voice.
‘I didn’t expect you to wear glasses. You almost got le paquet, which I was preparing for the man supposedly "goggling" my hat. Darling Van! Dushka moy!’
‘Your hat,’ he said, ‘is positively lautrémontesque — I mean, lautrecaquesque — no, I can’t form the adjective.’
Ed Barton served Lucette what she called a Chambéryzette.
‘Gin and bitter for me.’
‘I’m so happy and sad,’ she murmured in Russian. ‘Moyo grustnoe schastie! How long will you be in old Lute?’
Van answered he was leaving next day for England, and then on June 3 (this was May 31) would be taking the Admiral Tobakoff back to the States. She would sail with him, she cried, it was a marvelous idea, she didn’t mind whither to drift, really, West, East, Toulouse, Los Teques. He pointed out that it was far too late to obtain a cabin (on that not very grand ship so much shorter than Queen Guinevere), and changed the subject. (3.3)
Darkbloom ('Notes to Ada'): affalés etc.: sprawling in their armchairs.
bouffant: puffed up.
gueule etc.: simian facial angle.
grustnoe etc.: Russ., she addresses him as ‘my sad bliss’.
Alphonse Cinq seems to hint at Alfonsinka, as in Dostoevski's novel Podrostok ("The Adolescent," 1875) Arkadiy Dolgoruki (the narrator and main character) calls Lambert's mistress Alphonsine (a tall French girl who resembles a horse). A kitchen boy and photographer at Ardis whom Van blinds for spying on him and Ada and attempting to blackmail Ada, Kim Beauharnais seems to be a son of Arkadiy Dolgoruki and Alfonsinka. He must have been stolen by the gypsies who somehow managed to smuggle him to the parallel world of Antiterra. According to Kinbote (in VN’s novel Pale Fire, 1962, Shade’s mad commentator who imagines that he is Charles the Beloved, the last self-exiled king of Zembla), Shade listed Dostoevski among Russian humorists:
Speaking of the Head of the bloated Russian Department, Prof. Pnin, a regular martinet in regard to his underlings (happily, Prof. Botkin, who taught in another department, was not subordinated to that grotesque "perfectionist"): "How odd that Russian intellectuals should lack all sense of humor when they have such marvelous humorists as Gogol, Dostoevski, Chekhov, Zoshchenko, and those joint authors of genius Ilf and Petrov." (note to Line 172)
Onboard Admiral Tobakoff Lucette tells Van that in her cabin there is a steeplechase picture of ‘Pale Fire with Tom Cox Up:’
Quite kindly he asked where she thought she was going.
To Ardis, with him — came the prompt reply — for ever and ever. Robinson’s grandfather had died in Araby at the age of one hundred and thirty-one, so Van had still a whole century before him, she would build for him, in the park, several pavilions to house his successive harems, they would gradually turn, one after the other, into homes for aged ladies, and then into mausoleums. There hung, she said, a steeplechase picture of ‘Pale Fire with Tom Cox Up’ above dear Cordula’s and Tobak’s bed, in the suite ‘wangled in one minute flat’ from them, and she wondered how it affected the Tobaks’ love life during sea voyages. Van interrupted Lucette’s nervous patter by asking her if her bath taps bore the same inscriptions as his: Hot Domestic, Cold Salt. Yes, she cried, Old Salt, Old Salzman, Ardent Chambermaid, Comatose Captain! (3.5)
In their old age (even on the last day of their long lives) Van and Ada translate Shade's poem into Russian:
She insisted that if there were no future, then one had the right of making up a future, and in that case one’s very own future did exist, insofar as one existed oneself. Eighty years quickly passed — a matter of changing a slide in a magic lantern. They had spent most of the morning reworking their translation of a passage (lines 569-572) in John Shade’s famous poem:
...Sovetï mï dayom
Kak bït’ vdovtsu: on poteryal dvuh zhyon;
On ih vstrechaet — lyubyashchih, lyubimïh,
Revnuyushchih ego drug k druzhke...
(...We give advice
To widower. He has been married twice:
He meets his wives, both loved, both loving, both
Jealous of one another...)
Van pointed out that here was the rub — one is free to imagine any type of hereafter, of course: the generalized paradise promised by Oriental prophets and poets, or an individual combination; but the work of fancy is handicapped — to a quite hopeless extent — by a logical ban: you cannot bring your friends along — or your enemies for that matter — to the party. The transposition of all our remembered relationships into an Elysian life inevitably turns it into a second-rate continuation of our marvelous mortality. Only a Chinaman or a retarded child can imagine being met, in that Next-Installment World, to the accompaniment of all sorts of tail-wagging and groveling of welcome, by the mosquito executed eighty years ago upon one’s bare leg, which has been amputated since then and now, in the wake of the gesticulating mosquito, comes back, stomp, stomp, stomp, here I am, stick me on.
he did not laugh; she repeated to herself the verses that had given them such trouble. The Signy brain-shrinkers would gleefully claim that the reason the three ‘boths’ had been skipped in the Russian version was not at all, oh, not at all, because cramming three cumbersome amphibrachs into the pentameter would have necessitated adding at least one more verse for carrying the luggage.
‘Oh, Van, oh Van, we did not love her enough. That’s whom you should have married, the one sitting feet up, in ballerina black, on the stone balustrade, and then everything would have been all right — I would have stayed with you both in Ardis Hall, and instead of that happiness, handed out gratis, instead of all that we teased her to death!’ (5.6)
See also the expanded (much more perfect!) version of my previous, "Proustian," post "Praslin & Nepraslinov in Ada."