Vladimir Nabokov

Annotations by Alexey Sklyarenko

Description

Please read Alexey Sklyarenko's annotations on Pale FireAda and other Nabokov works here.

By Alexey Sklyarenko , 21 November, 2020

In Canto Four of his poem John Shade (the poet in VN’s novel Pale Fire, 1962) describes shaving and compares his Adam’s apple to a prickly pear:

 

Since my biographer may be too staid

Or know too little to affirm that Shade

Shaved in his bath, here goes: "He'd fixed a sort

Of hinge-and-screw affair, a steel support

Running across the tub to hold in place

By Alexey Sklyarenko , 20 November, 2020

In Canto Four of his poem John Shade (the poet in VN’s novel Pale Fire, 1962) describes shaving and compares his Adam’s apple to a prickly pear:

 

Since my biographer may be too staid

Or know too little to affirm that Shade

Shaved in his bath, here goes: "He'd fixed a sort

Of hinge-and-screw affair, a steel support

Running across the tub to hold in place

By Alexey Sklyarenko , 19 November, 2020

In Canto Four of his poem John Shade, the poet in VN’s novel Pale Fire (1962), describes two methods of composing, method A and method B, and mentions the right word that by some mute command flutes and perches on his hand:

 

But method A is agony! The brain

Is soon enclosed in a steel cap of pain.

A muse in overalls directs the drill

Which grinds and which no effort of the will

By Alexey Sklyarenko , 17 November, 2020

Describing Izumrudov’s visit to Gradus in Nice, Kinbote (in VN’s novel Pale Fire, 1962, Shade’s mad commentator who imagines that he is Charles the Beloved, the last self-exiled king of Zembla) mentions a bright rap-rap at the door:

 

By Alexey Sklyarenko , 15 November, 2020

At the end of his poem John Shade (the poet in VN's novel Pale Fire, 1962) says that he understands existence only through his art:

 

Maybe my sensual love for the consonne

D'appui, Echo's fey child, is based upon

A feeling of fantastically planned,

Richly rhymed life.

                              I feel I understand

Existence, or at least a minute part

By Alexey Sklyarenko , 14 November, 2020

Describing his meeting with Lucette in Kingston, Van Veen (the narrator and main character in VN’s novel Ada, 1969) compares a philosopher’s orbitless eye to a peeled hard-boiled egg:

 

Van, Vanichka, we are straying from the main point. The point is that the writing desk or if you like, secretaire —’

‘I hate both, but it stood at the opposite end of the black divan.’